Music Regulations and Sacred Repertories in a Ducal Town Without a Duke: Francisco de los Cobos and the Sacra Capilla of El Salvador in 16th-Century Úbeda
Although the city of Úbeda (Jaén, Spain) never had a duke or a count, it did have a figure of enormous political power and influence in Francisco de los Cobos y Molina (c.1477-1547). Born in Úbeda, in 1516 Cobos became secretary to the Emperor Charles V and took responsibility for the imperial finan...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universidad de Jaén |
| Repositorio: | RUJA. Repositorio Institucional de la Producción Científica de la Universidad de Jaén |
| OAI Identifier: | oai:ruja.ujaen.es:10953/3654 |
| Acceso en línea: | https://hdl.handle.net/10953/3654 |
| Access Level: | acceso abierto |
| Palabra clave: | Music History Musicology Nobility Plainchant Chaplaincy Renaissance music Gregorian Chant Polyphony Spanish music Francisco de los Cobos Musical Patronage |
| Sumario: | Although the city of Úbeda (Jaén, Spain) never had a duke or a count, it did have a figure of enormous political power and influence in Francisco de los Cobos y Molina (c.1477-1547). Born in Úbeda, in 1516 Cobos became secretary to the Emperor Charles V and took responsibility for the imperial finances, positions which made him into one of the most powerful people in Spain of that period despite his birth into the gentility in a small town far from court. This study aims to supplement the small amount of information around Cobos’ musical patronage in his home town through analysis of the musico-liturgical regulations and musical repertories related to the Sacra Capilla [Holy Chapel] of El Salvador, founded by Cobos as chapel-burial place. |
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