Infección controlada: maneras de representar el estado de excepción en el cine de pandemias
In this paper it’s argued how the movies from the postmodernist decades have shown a singular political state, the state of exception, linked in these films to the spread of a pandemic. As a popular art, the cinema has been a powerful tool to create imaginary in the advanced capitalism society and t...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/13748 |
| Acceso en línea: | http://hdl.handle.net/10256/13748 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinematografia en la propaganda Motion pictures in propaganda Cinematografia Motion pictures Poders d'excepció War and emergency powers |
| Sumario: | In this paper it’s argued how the movies from the postmodernist decades have shown a singular political state, the state of exception, linked in these films to the spread of a pandemic. As a popular art, the cinema has been a powerful tool to create imaginary in the advanced capitalism society and to affect what citizens considerer possible in a given situation. The motif of emergency declaration, military control and state of exception has become during these decades in one of the most used, especially in the fantasy blockbusters |
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