Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland

What is Galician cinema? Should any film set in Galicia be considered as Galician or should this label be restricted to those films spoken in Galician and shot by local filmmakers? In order to bridge the economic constrains that lie behind this dichotomy, many young directors have embraced digital f...

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Detalles Bibliográficos
Autor: Villarmea Álvarez, Iván
Tipo de recurso: capítulo de libro
Fecha de publicación:2016
País:España
Institución:Universidad de Santiago de Compostela (USC)
Repositorio:Minerva. Repositorio Institucional de la Universidad de Santiago de Compostela
Idioma:inglés
OAI Identifier:oai:minerva.usc.gal:10347/45988
Acceso en línea:https://hdl.handle.net/10347/45988
Access Level:acceso abierto
Palabra clave:Film Studies
Non-Fiction Film
Galician Cinema
Novo Cinema Galego
Alberte Pagán
Xurxo Chirro
National Identity
620301 Cinematografía
550602 Historia del arte
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spelling Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's VikinglandVillarmea Álvarez, IvánFilm StudiesNon-Fiction FilmGalician CinemaNovo Cinema GalegoAlberte PagánXurxo ChirroNational Identity620301 Cinematografía550602 Historia del arteWhat is Galician cinema? Should any film set in Galicia be considered as Galician or should this label be restricted to those films spoken in Galician and shot by local filmmakers? In order to bridge the economic constrains that lie behind this dichotomy, many young directors have embraced digital filmmaking and moved towards the non-fiction field, producing a set of works that address the Galician Diaspora from a clearly subjective perspective. Identity has thus become one of the main topics of films such as 'Bs. As.' (Alberte Pagán, 2006), 'Vikingland' (Xurxo Chirro, 2011) or 'Pettring' (Eloy Domínguez Serén, 2013). They all put the migratory phenomenon into a transnational context in both thematic and formal terms. The following analysis of their mise-en-scène strategies aims to explain the way these filmmakers have set a new pattern for Galician cinema in which the global helps to depict the local.Bloomsbury AcademicOliete Aldea, ElenaOria, BeatrizTarancón, JuanUniversidade de Santiago de Compostela. Departamento de Historia da ArteUniversidade de Santiago de Compostela. Facultade de Xeografía e HistoriaUniversidade de Santiago de Compostela. Instituto de Investigación en Humanidades (iHUS)20162016-01-0120162016-01-01book parthttp://purl.org/coar/resource_type/c_3248AMhttp://purl.org/coar/version/c_ab4af688f83e57aainfo:eu-repo/semantics/bookPartapplication/pdfhttps://hdl.handle.net/10347/45988reponame:Minerva. Repositorio Institucional de la Universidad de Santiago de Compostelainstname:Universidad de Santiago de Compostela (USC)InglésengMinisterio de Economía y Competitividad http://dx.doi.org/10.13039/501100003329 Programa Estatal de Fomento de la Investigación Científica y Técnica de Excelencia 2013 FFI2013-40769-P VISTAS LOCALES DE UN CINE GLOBAL: DIALOGO TEXTUAL Y CULTURAL ENTRE LOS CINES ESTADOUNIDENSE, BRITANICO Y ESPAÑOLopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:minerva.usc.gal:10347/459882026-06-15T12:47:27Z
dc.title.none.fl_str_mv Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland
title Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland
spellingShingle Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland
Villarmea Álvarez, Iván
Film Studies
Non-Fiction Film
Galician Cinema
Novo Cinema Galego
Alberte Pagán
Xurxo Chirro
National Identity
620301 Cinematografía
550602 Historia del arte
title_short Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland
title_full Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland
title_fullStr Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland
title_full_unstemmed Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland
title_sort Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland
dc.creator.none.fl_str_mv Villarmea Álvarez, Iván
author Villarmea Álvarez, Iván
author_facet Villarmea Álvarez, Iván
author_role author
dc.contributor.none.fl_str_mv Oliete Aldea, Elena
Oria, Beatriz
Tarancón, Juan
Universidade de Santiago de Compostela. Departamento de Historia da Arte
Universidade de Santiago de Compostela. Facultade de Xeografía e Historia
Universidade de Santiago de Compostela. Instituto de Investigación en Humanidades (iHUS)
dc.subject.none.fl_str_mv Film Studies
Non-Fiction Film
Galician Cinema
Novo Cinema Galego
Alberte Pagán
Xurxo Chirro
National Identity
620301 Cinematografía
550602 Historia del arte
topic Film Studies
Non-Fiction Film
Galician Cinema
Novo Cinema Galego
Alberte Pagán
Xurxo Chirro
National Identity
620301 Cinematografía
550602 Historia del arte
description What is Galician cinema? Should any film set in Galicia be considered as Galician or should this label be restricted to those films spoken in Galician and shot by local filmmakers? In order to bridge the economic constrains that lie behind this dichotomy, many young directors have embraced digital filmmaking and moved towards the non-fiction field, producing a set of works that address the Galician Diaspora from a clearly subjective perspective. Identity has thus become one of the main topics of films such as 'Bs. As.' (Alberte Pagán, 2006), 'Vikingland' (Xurxo Chirro, 2011) or 'Pettring' (Eloy Domínguez Serén, 2013). They all put the migratory phenomenon into a transnational context in both thematic and formal terms. The following analysis of their mise-en-scène strategies aims to explain the way these filmmakers have set a new pattern for Galician cinema in which the global helps to depict the local.
publishDate 2016
dc.date.none.fl_str_mv 2016
2016-01-01
2016
2016-01-01
dc.type.none.fl_str_mv book part
http://purl.org/coar/resource_type/c_3248
AM
http://purl.org/coar/version/c_ab4af688f83e57aa
dc.type.openaire.fl_str_mv info:eu-repo/semantics/bookPart
format bookPart
dc.identifier.none.fl_str_mv https://hdl.handle.net/10347/45988
url https://hdl.handle.net/10347/45988
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.relation.none.fl_str_mv Ministerio de Economía y Competitividad http://dx.doi.org/10.13039/501100003329 Programa Estatal de Fomento de la Investigación Científica y Técnica de Excelencia 2013 FFI2013-40769-P VISTAS LOCALES DE UN CINE GLOBAL: DIALOGO TEXTUAL Y CULTURAL ENTRE LOS CINES ESTADOUNIDENSE, BRITANICO Y ESPAÑOL
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Bloomsbury Academic
publisher.none.fl_str_mv Bloomsbury Academic
dc.source.none.fl_str_mv reponame:Minerva. Repositorio Institucional de la Universidad de Santiago de Compostela
instname:Universidad de Santiago de Compostela (USC)
instname_str Universidad de Santiago de Compostela (USC)
reponame_str Minerva. Repositorio Institucional de la Universidad de Santiago de Compostela
collection Minerva. Repositorio Institucional de la Universidad de Santiago de Compostela
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,811543

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