Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)

When history interferes in fiction, the generic boundaries are broken. From playful fiction we go to historic seriousness, and vice versa. In the dictionary, the word “History” is ambiguous. It is at the same time a set of real events, chronologically dated and localized and therefore necessarily ci...

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Autor: Abdelaziz, Amraoui
Tipo de recurso: artículo
Fecha de publicación:2014
País:España
Institución:Universidad de Murcia
Repositorio:DIGITUM. Depósito Digital Institucional de la Universidad de Murcia
OAI Identifier:oai:digitum.um.es:10201/43274
Acceso en línea:http://hdl.handle.net/10201/43274
Access Level:acceso abierto
Palabra clave:Novela histórica
Literatura magrebí
Historia y crítica
82 - Literatura
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spelling Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)Abdelaziz, AmraouiNovela históricaLiteratura magrebíHistoria y crítica82 - LiteraturaWhen history interferes in fiction, the generic boundaries are broken. From playful fiction we go to historic seriousness, and vice versa. In the dictionary, the word “History” is ambiguous. It is at the same time a set of real events, chronologically dated and localized and therefore necessarily circumscribed and a way of representing the real or reality by pretending to tell what might have happened or might happen. Maghreb novelists will find in this semantic interpenetration a benefit so that their narration meet a History institutionally official. They have been developing, shortly before, a bulimia for the History that their elders and predecessors have not well grown. Even if they were not primarily seeking “The Absent of history” (Certeau 1973), they will pretend to be teachers to expose, under the generic label “novel”, a critical part of the history of Morocco by the end of the 19th century and the 20th century, by mixing historical personalities and characters at the service of fiction. Marthe Robert defines the novel in these terms: “A revolutionary and bourgeois genre, that is democratic by choice and animated by a totalitarian spirit, making it break barriers and borders, the novel is free, free to the extent of being arbitrary to the last degree of anarchy” (1972: 14). It is in this spirit that we will try to see how History, with a capital H, is exploited in “the Old Lady of the Riad’’ by Fouad Laroui and in “Pilgrimage of an Artist in love’’ by Khatibi and how this transfer of historic references is operated into a narrative account apparently belonging to the fictional regime.Murcia: Universidad de Murcia, Editumnull201520152014info:eu-repo/semantics/articleapplication/pdf14 p.application/pdfhttp://hdl.handle.net/10201/43274reponame:DIGITUM. Depósito Digital Institucional de la Universidad de Murciainstname:Universidad de MurciaFrancésEstudios románicos, nº 23, 2014info:eu-repo/semantics/openAccessoai:digitum.um.es:10201/432742026-05-27T12:40:41Z
dc.title.none.fl_str_mv Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)
title Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)
spellingShingle Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)
Abdelaziz, Amraoui
Novela histórica
Literatura magrebí
Historia y crítica
82 - Literatura
title_short Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)
title_full Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)
title_fullStr Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)
title_full_unstemmed Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)
title_sort Fouad Laroui, ou quand le romancier devient historien = (Fouad Laroui or when the novelist become an historian)
dc.creator.none.fl_str_mv Abdelaziz, Amraoui
author Abdelaziz, Amraoui
author_facet Abdelaziz, Amraoui
author_role author
dc.contributor.none.fl_str_mv null
dc.subject.none.fl_str_mv Novela histórica
Literatura magrebí
Historia y crítica
82 - Literatura
topic Novela histórica
Literatura magrebí
Historia y crítica
82 - Literatura
description When history interferes in fiction, the generic boundaries are broken. From playful fiction we go to historic seriousness, and vice versa. In the dictionary, the word “History” is ambiguous. It is at the same time a set of real events, chronologically dated and localized and therefore necessarily circumscribed and a way of representing the real or reality by pretending to tell what might have happened or might happen. Maghreb novelists will find in this semantic interpenetration a benefit so that their narration meet a History institutionally official. They have been developing, shortly before, a bulimia for the History that their elders and predecessors have not well grown. Even if they were not primarily seeking “The Absent of history” (Certeau 1973), they will pretend to be teachers to expose, under the generic label “novel”, a critical part of the history of Morocco by the end of the 19th century and the 20th century, by mixing historical personalities and characters at the service of fiction. Marthe Robert defines the novel in these terms: “A revolutionary and bourgeois genre, that is democratic by choice and animated by a totalitarian spirit, making it break barriers and borders, the novel is free, free to the extent of being arbitrary to the last degree of anarchy” (1972: 14). It is in this spirit that we will try to see how History, with a capital H, is exploited in “the Old Lady of the Riad’’ by Fouad Laroui and in “Pilgrimage of an Artist in love’’ by Khatibi and how this transfer of historic references is operated into a narrative account apparently belonging to the fictional regime.
publishDate 2014
dc.date.none.fl_str_mv 2014
2015
2015
dc.type.none.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv http://hdl.handle.net/10201/43274
url http://hdl.handle.net/10201/43274
dc.language.none.fl_str_mv Francés
language_invalid_str_mv Francés
dc.relation.none.fl_str_mv Estudios románicos, nº 23, 2014
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
14 p.
application/pdf
dc.publisher.none.fl_str_mv Murcia: Universidad de Murcia, Editum
publisher.none.fl_str_mv Murcia: Universidad de Murcia, Editum
dc.source.none.fl_str_mv reponame:DIGITUM. Depósito Digital Institucional de la Universidad de Murcia
instname:Universidad de Murcia
instname_str Universidad de Murcia
reponame_str DIGITUM. Depósito Digital Institucional de la Universidad de Murcia
collection DIGITUM. Depósito Digital Institucional de la Universidad de Murcia
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