Ghostly bodies

What are you currently working on? It is a reconstruction of a dance piece? Fabián Barba: This january I started working on a new project, A personal yet collective history. The starting point was to reflect on how through my educati n I’ve been put in contact with the history of dance and how I hav...

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Detalles Bibliográficos
Autor: Pérez Royo, Victoria
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2016
País:España
Institución:Universidad de Zaragoza
Repositorio:Zaguán. Repositorio Digital de la Universidad de Zaragoza
OAI Identifier:oai:zaguan.unizar.es:61618
Acceso en línea:http://zaguan.unizar.es/record/61618
Access Level:acceso abierto
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spelling Ghostly bodiesPérez Royo, VictoriaWhat are you currently working on? It is a reconstruction of a dance piece? Fabián Barba: This january I started working on a new project, A personal yet collective history. The starting point was to reflect on how through my educati n I’ve been put in contact with the history of dance and how I have internalized a part of it. Instead of looking for a flow of information from the outside to the inside - from the archives to the embodiment as in the case of A Mary Wigman Dance Evening (AMWDE)- I wanted to look for that which was already (in) there (learnt techniques, images, ideas, pleasures) to put them later in relation with a larger dance history (out there). In that sense reconstruction doesn’t seem so far to be the most appropriate methodology, though it’s too early for me to know for sure. VPR: In this sense you are working with a noti on of the body as an archive of learnt and embodied techniques and movement languages, which could be related to Paul Ricoueur’s habit-memory: that memory created by repetition and which works in a kind of pseudoautomatism, as when one recites a text or a poem one has learnt as a child. Because of this automatism this kind of memory, opposed to the imaginative one, in ...2016info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://zaguan.unizar.es/record/61618reponame:Zaguán. Repositorio Digital de la Universidad de Zaragozainstname:Universidad de ZaragozaInglésinfo:eu-repo/semantics/openAccessoai:zaguan.unizar.es:616182026-05-29T13:59:51Z
dc.title.none.fl_str_mv Ghostly bodies
title Ghostly bodies
spellingShingle Ghostly bodies
Pérez Royo, Victoria
title_short Ghostly bodies
title_full Ghostly bodies
title_fullStr Ghostly bodies
title_full_unstemmed Ghostly bodies
title_sort Ghostly bodies
dc.creator.none.fl_str_mv Pérez Royo, Victoria
author Pérez Royo, Victoria
author_facet Pérez Royo, Victoria
author_role author
description What are you currently working on? It is a reconstruction of a dance piece? Fabián Barba: This january I started working on a new project, A personal yet collective history. The starting point was to reflect on how through my educati n I’ve been put in contact with the history of dance and how I have internalized a part of it. Instead of looking for a flow of information from the outside to the inside - from the archives to the embodiment as in the case of A Mary Wigman Dance Evening (AMWDE)- I wanted to look for that which was already (in) there (learnt techniques, images, ideas, pleasures) to put them later in relation with a larger dance history (out there). In that sense reconstruction doesn’t seem so far to be the most appropriate methodology, though it’s too early for me to know for sure. VPR: In this sense you are working with a noti on of the body as an archive of learnt and embodied techniques and movement languages, which could be related to Paul Ricoueur’s habit-memory: that memory created by repetition and which works in a kind of pseudoautomatism, as when one recites a text or a poem one has learnt as a child. Because of this automatism this kind of memory, opposed to the imaginative one, in ...
publishDate 2016
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