Revisión del “espacio autobiográfico” en la narrativa de Boris Vian
Abstract: This article addresses the difficulty of establishing limits and categories between reality and fiction in the narrative work and the “writing of the self” by Boris Vian, in relation to the prin ciples of the Pataphysics College to which he belongs. For this, through the concept of “autobi...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universidad de Murcia |
| Repositorio: | DIGITUM. Depósito Digital Institucional de la Universidad de Murcia |
| OAI Identifier: | oai:digitum.um.es:10201/87801 |
| Acceso en línea: | https://doi.org/10.6018/analesff.381521 http://hdl.handle.net/10201/87801 |
| Access Level: | acceso abierto |
| Palabra clave: | Boris Vian Autobiographical space Pseudonym Self citation Espace autobiographique Pseudonyme Autocitation Espacio autobiográfico Seudónimo Autocitación CDU::8- Lingüística y literatura |
| Sumario: | Abstract: This article addresses the difficulty of establishing limits and categories between reality and fiction in the narrative work and the “writing of the self” by Boris Vian, in relation to the prin ciples of the Pataphysics College to which he belongs. For this, through the concept of “autobiographical space” of Lejeune, which outlines and modifies his theory previously exposed in the Pacte autobiographique, we will focus on the techniques of the language-universe that plays with the principle of identity through the seudonyms, the self-citation and the novelistic transpositions of friends and acquain tances who, masked, are participants in the vicissitudes of their fictional world in which the borders between the lived and the imagined are blurred without ceasing. |
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