Fragmentos estéticos de la imagen de la histeria. Un estudio sobre la Iconographie Photographique de La Salpêtrierè
[EN] The present work comes from the formal and aesthetic interest that transmit images of different iconography created in the late nineteenth century on hysterical women in La Sa lpêtrière , collected in various volumes Iconographie Photographique . The analysis of the origin and context of this i...
| Autores: | , |
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| Tipo de recurso: | tesis de maestría |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/75545 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/75545 |
| Access Level: | acceso abierto |
| Palabra clave: | Histeria Fragmento Cuerpo Escultura Fotografía ESCULTURA Máster Universitario en Producción Artística-Màster Universitari en Producció Artística |
| Sumario: | [EN] The present work comes from the formal and aesthetic interest that transmit images of different iconography created in the late nineteenth century on hysterical women in La Sa lpêtrière , collected in various volumes Iconographie Photographique . The analysis of the origin and context of this iconography and its subsequent influence on society, art and culture has helped us locate our aim of study. This document is the result of a preliminary investigation focused on the physical manifestations of illness or mental disorders. Then through reflection and experimentation we have discovered a general interest in any psychic manifestation on the face and body, focusing on the time fr agments of a specific symptom: hysteria. As a result , we have obtained a photographic series of hysteria represented in the female image , which in the future will be wo rked from the sculptural field. This final master work is the result of a practical and theoretical research using different sculptural and graphic methodologies about the image of hysteria. In conclusion the result of this project is a photographic series of body fragments, a reflection of the image at the moment of hysteria, with main inter est in their aesthetic and formal potential This final master work is based on a practical and theoretical research using different sculptural and graphic methodologies about the image of hysteria. The project is a series of photographs of fragments of the body, an image that captures the moment of hysteria, with great interest in their aesthetic and formal potential. |
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