Individual and collective identity: Dorothy Allison's literary contribution to demystifying the poor whites/"white trash" stigma
In this day and age, when uncertainty for minority groups seems to have resurfaced in the political arena of the USA, it is worth noting the work that writers such as Dorothy Allison have been performing during the past forty years. Determined to take down the barriers that outcast the poor whites f...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universidad de Sevilla (US) |
| Repositorio: | idUS. Depósito de Investigación de la Universidad de Sevilla |
| OAI Identifier: | oai:idus.us.es:11441/76307 |
| Acceso en línea: | https://hdl.handle.net/11441/76307 |
| Access Level: | acceso abierto |
| Palabra clave: | Dorothy Allison Poor whites' identity Inherited traits Stigma Closeness Storytelling Identidad de los blancos pobres Basura blanca Rasgos heredados Estigma Acercamiento Narración |
| Sumario: | In this day and age, when uncertainty for minority groups seems to have resurfaced in the political arena of the USA, it is worth noting the work that writers such as Dorothy Allison have been performing during the past forty years. Determined to take down the barriers that outcast the poor whites from the mainstream, Allison‟s work feels as contemporary now as it did in the nineteen eighties. Adamant on telling things how they are, Allison‟s life and work represent a relentless effort to draw the reader closer to the people she grew up with, the poor whites, also known as „white trash.‟ This article serves as an introduction to Dorothy Allison‟s literary commitment to revealing the truth behind the stigma of being poor and white. In doing so, Allison‟s literary contribution to building poor whites‟ true identity will be examined through the analysis of the objectives behind her writing, her own identity seeking mechanisms as well as her honest attempt to show the humanness in being white and poor. A look into her work in which her contribution to collective and individual identity seeking can be clearly identified is being offered to conclude this article. |
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