Música Visual: de los órganos de color a los primeros ordenadores
[EN] The idea of obtaining images from music has been treated over the centuries; not as an independent movement but always within the cultural and technological context of each era. This historical effort can be grouped into what has come to be called Visual Music, Sound Visualization or Visual Sou...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/122514 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/122514 |
| Access Level: | acceso abierto |
| Palabra clave: | Audiovisualización Música visual Tiempo real Música experimental LENGUAJES Y SISTEMAS INFORMATICOS PINTURA ESCULTURA |
| Sumario: | [EN] The idea of obtaining images from music has been treated over the centuries; not as an independent movement but always within the cultural and technological context of each era. This historical effort can be grouped into what has come to be called Visual Music, Sound Visualization or Visual Sound that bases its nature on the notion of synesthesia (Brougher 2005).The field of Visual Music has always been marked by the technological media involved in the creation of images. In this work, we conducted a historical review of some of the contributions that we consider most relevant, focusing on the relationship between technology and art. Our historical review begins with the first intuitions of the Greek philosophers to relate colour and sound and ends at the beginning of the digital age. |
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