Organización espacial en aulas universitarias de arte: un análisis de teoría fundamentada

[EN] Research on the impact of the educational spatial context on teaching-learning processes has led to greater awareness that aesthetic factors are determinants of educational quality. This responsibility falls on the architectural professionals who design the faculties and on those who teach in t...

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Detalles Bibliográficos
Autores: Alonso Sanz, Amparo, Sánchez Arenas, Bibiana
Tipo de recurso: artículo
Fecha de publicación:2024
País:España
Institución:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
OAI Identifier:oai:riunet.upv.es:10251/202724
Acceso en línea:https://riunet.upv.es/handle/10251/202724
Access Level:acceso abierto
Palabra clave:Class organization
Art education
Fine Arts
Qualitative Research
Case study
Organización de la clase
Educación artística
Bellas Artes
Investigación cualitativa
Estudio de casos
Descripción
Sumario:[EN] Research on the impact of the educational spatial context on teaching-learning processes has led to greater awareness that aesthetic factors are determinants of educational quality. This responsibility falls on the architectural professionals who design the faculties and on those who teach in them. Interested in the opportunities available to teaching staff to influence classroom behaviour, the present case study was carried out in the Art Department of the Miguel Hernández University of Elche. With the aim of identifying which strategies for the spatial organisation of classrooms are observable among university art teaching staff, specialists in aesthetics. Qualitative Methodology based on Grounded Theory is used. Data collected through participant observation in more than 200 class hours, thanks to the participation of 22 teachers during the 2022-23 academic year, is analysed. The results offer 11 specific tactics to art Higher Education, sharing some strategies with Early Childhood Education. Among the conclusions, it stands out that teachers see their possibilities of intervention in the aesthetic environment limited and resort mainly to modifying the student s dispositions based on pedagogical activities to improve learning conditions