Digitization of religious artifacts with a structured light scanner

The digitization process for religious artifacts is subject to inherent difficulties often ignored in theoretical models or pipelines. In this paper we aim to describe these problems, which are present in practical environments such as temples and churches, using white light scanners instead of othe...

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Detalles Bibliográficos
Autores: Graciano Segura, Alejandro, Ortega Alvarado, Lidia María, Segura Sánchez, Rafael, Feito Higueruela, Francisco Ramón
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2017
País:España
Institución:Ajuntament de Barcelona
Repositorio:RUJA. Repositorio Institucional de la Producción Científica de la Universidad de Jaén
OAI Identifier:oai:dnet:ruja________::0bdbc607217d210e3e30a35ca334064f
Acceso en línea:https://polipapers.upv.es/index.php/var/article/view/4650
https://hdl.handle.net/10953/7923
Access Level:acceso abierto
Palabra clave:3D scanning, white light scanner, religious artifacts, cultural heritage, digitization
1203.04, 2202.02
Descripción
Sumario:The digitization process for religious artifacts is subject to inherent difficulties often ignored in theoretical models or pipelines. In this paper we aim to describe these problems, which are present in practical environments such as temples and churches, using white light scanners instead of other common devices or technologies such as laser scanners and photogrammetry. Our case study is based on the digitization of two religious statues belonging to a Catholic brotherhood located in a village of the Province of Jaén (Spain), one of them presenting especially several limitations. After performing the scanning process with a portable hand-held scanner, the images captured were processed until the final models were acquired. On the basis of the results obtained, we discuss the problems arising after using well-known procedures for the reconstruction of 3D models, their causes and some possible solutions to achieving a correct digitization. It should be noted that it is not the aim of this study to establish procedures for the digitization of religious artifacts, but rather to transmit the inherent constraints of these types of scenes.