Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscos

In this paper, first I examine briefly the bibliography about the relationship between the reliefs of the Iberian funerary monument of Pozo Moro (Chinchilla de Montearagón, Albacete) and the portable art. Until now, this discussion has concluded that there is not a clear link between the Ancient Nea...

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Author: Matesanz Gascón, Roberto
Format: article
Publication Date:2015
Country:España
Institution:Universidad de Valladolid
Repository:UVaDOC. Repositorio Documental de la Universidad de Valladolid
OAI Identifier:oai:uvadoc.uva.es:10324/25142
Online Access:http://uvadoc.uva.es/handle/10324/25142
Access Level:Open access
Keyword:Arqueología
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spelling Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscosMatesanz Gascón, RobertoArqueologíaIn this paper, first I examine briefly the bibliography about the relationship between the reliefs of the Iberian funerary monument of Pozo Moro (Chinchilla de Montearagón, Albacete) and the portable art. Until now, this discussion has concluded that there is not a clear link between the Ancient Near Eastern portable art and the Iberian funerary monument’s reliefs. But this not demonstrates the lack of close cultural references for the reliefs, but points out to the formal distance that exists between the Near Eastern art (the realm most analyzed on this subject) and the Iberian funerary monument’s iconography. I defend that, therefore, it is necessary to examine other material productions, with the purpose of finding more precise references; especially, the contemporary Italic productions, most of all Etruscan objects. Like a specific case of study, I analyze from a formal point of view the similarity that exists between some elements in the monument’s bas-reliefs and bronze productions from the so-called maritime (or Southern) Etruria. This analysis points out that several elements of the Pozo Moro’s reliefs show how were incorporated into its iconography features and concepts which were characteristic of Etruscan centres, as Vulci or Caere, at the end of the Sixth century and the beginning of the Fifth century B. C.En este trabajo, se expone en primer lugar el debate generado en torno a la vinculación existente entre los relieves del monumento ibérico de Pozo Moro (Chinchilla de Montearagón, Albacete) y el arte mueble. Los estudios realizados hasta la fecha han concluido que no existen vínculos claros entre el arte mueble próximo oriental y los relieves del monumento funerario, Pero esto no demuestra que dichos relieves carezcan de referentes culturales próximos, sino que constituye un indicio de la distancia cultural existente entre las producciones próximo orientales (que han sido el principal objeto de estudio) y la iconografía del monumento. Se defiende por ello la necesidad de examinar otras producciones materiales con el fin de encontrar referentes más precisos. En especial, las producciones itálicas, principalmente etruscas, de época coetánea. Como caso concreto, se examina a continuación con un enfoque exclusivamente formal la similitud que existe entre diversos elementos presentes en los bajorrelieves del monumento ibérico y algunas producciones en bronce de la Etruria meridional o marítima. Este análisis indica que diversos elementos presentes en los relieves del monumento de Pozo Moro muestran que sus artífices incorporaron a su iconografía conceptos y rasgos que eran característicos de centros etruscos como Vulci o Caere a finales del siglo VI e inicios del siglo V a. C.Ediciones Universidad de Valladolid2015info:eu-repo/semantics/articleapplication/pdfhttp://uvadoc.uva.es/handle/10324/25142BSAA Arqueologíareponame:UVaDOC. Repositorio Documental de la Universidad de Valladolidinstname:Universidad de ValladolidEspañolinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/oai:uvadoc.uva.es:10324/251422026-06-13T12:44:47Z
dc.title.none.fl_str_mv Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscos
title Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscos
spellingShingle Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscos
Matesanz Gascón, Roberto
Arqueología
title_short Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscos
title_full Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscos
title_fullStr Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscos
title_full_unstemmed Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscos
title_sort Iconografía del monumento turriforme de Pozo Moro y arte mueble: objetos de bronce etruscos
dc.creator.none.fl_str_mv Matesanz Gascón, Roberto
author Matesanz Gascón, Roberto
author_facet Matesanz Gascón, Roberto
author_role author
dc.contributor.none.fl_str_mv Ediciones Universidad de Valladolid
dc.subject.none.fl_str_mv Arqueología
topic Arqueología
description In this paper, first I examine briefly the bibliography about the relationship between the reliefs of the Iberian funerary monument of Pozo Moro (Chinchilla de Montearagón, Albacete) and the portable art. Until now, this discussion has concluded that there is not a clear link between the Ancient Near Eastern portable art and the Iberian funerary monument’s reliefs. But this not demonstrates the lack of close cultural references for the reliefs, but points out to the formal distance that exists between the Near Eastern art (the realm most analyzed on this subject) and the Iberian funerary monument’s iconography. I defend that, therefore, it is necessary to examine other material productions, with the purpose of finding more precise references; especially, the contemporary Italic productions, most of all Etruscan objects. Like a specific case of study, I analyze from a formal point of view the similarity that exists between some elements in the monument’s bas-reliefs and bronze productions from the so-called maritime (or Southern) Etruria. This analysis points out that several elements of the Pozo Moro’s reliefs show how were incorporated into its iconography features and concepts which were characteristic of Etruscan centres, as Vulci or Caere, at the end of the Sixth century and the beginning of the Fifth century B. C.
publishDate 2015
dc.date.none.fl_str_mv 2015
dc.type.none.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv http://uvadoc.uva.es/handle/10324/25142
url http://uvadoc.uva.es/handle/10324/25142
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv BSAA Arqueología
reponame:UVaDOC. Repositorio Documental de la Universidad de Valladolid
instname:Universidad de Valladolid
instname_str Universidad de Valladolid
reponame_str UVaDOC. Repositorio Documental de la Universidad de Valladolid
collection UVaDOC. Repositorio Documental de la Universidad de Valladolid
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