The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised procedures

Producción Científica

Detalles Bibliográficos
Autores: Bevilacqua, Gregorio, Catalunya, David, Torres Lobo, Nuria
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2018
País:España
Institución:Universidad de Valladolid
Repositorio:UVaDOC. Repositorio Documental de la Universidad de Valladolid
OAI Identifier:oai:uvadoc.uva.es:10324/76066
Acceso en línea:https://doi.org/10.1017/S0261127918000049
https://uvadoc.uva.es/handle/10324/76066
Access Level:acceso abierto
Palabra clave:Early Music
Polyphonic Music
Production of Polyphonic Manuscripts
13th century
Magnus Liber Organi
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spelling The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised proceduresBevilacqua, GregorioCatalunya, DavidTorres Lobo, NuriaEarly MusicPolyphonic MusicProduction of Polyphonic Manuscripts13th centuryMagnus Liber OrganiProducción CientíficaModern understanding of the production and dissemination of thirteenth-century polyphony is constrained by the paucity of manuscript sources that have been preserved in their entirety; the panorama of sources of medieval polyphony is essentially fragmentary. Some of the surviving fragments, however, were torn from lost books of polyphony that were to some extent comparable to well-known extant codices. The fragment of polyphony preserved in the binding of manuscript 6528 of the Biblioteca Nacional de Madrid is illustrative in this respect. This fragment displays a number of codicological and musical features that are strikingly similar to those of the Florence manuscript (F). Both sources share format and mise-en-page, make use of similar styles of script, notation and pen-work decoration,We wish to thank Mark Everist, Carmen Julia Gutiérrez and the anonymous reviewers of Early Music History for their invaluable comments and suggestions. Permission to reproduce the images has been graciously accorded by the Biblioteca Nacional de España (BNE) and Ministero dei Beni e delle Attività Culturali e del Turismo (MiBACT). The following library sigla are used: CH-SGs Sankt Gallen, Stiftsbibliothek D-GI Giessen, Universitätsbibliothek E-Mn Madrid, Biblioteca Nacional de España F-Pn Paris, Bibliothèque nationale de France GB-Lbl London, British Library In addition, the Ars antiqua manuscripts mentioned in this article are indicated by their familiar sigla: F Florence, Biblioteca Medicea Laurenziana, Pluteus 29.1 LoA London, British Library, Egerton 2615Ma Madrid, Biblioteca Nacional de España, 20486 W1 Wolfenbüttel, Herzog August Bibliothek, Cod. Guelf. 628 Helmst. transmit the pieces in the same order, and present virtually identical musical readings. The Madrid fragment thus provides new evidence for a standardised production of polyphonic books in thirteenth century Paris. The study provides a detailed account of the fragment's codicological and philological features, and explores the hypothesis that it originated in the same Parisian workshop that produced F.2018info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.1017/S0261127918000049https://uvadoc.uva.es/handle/10324/76066reponame:UVaDOC. Repositorio Documental de la Universidad de Valladolidinstname:Universidad de ValladolidIngléshttps://www.cambridge.org/core/journals/early-music-history/article/production-of-polyphonic-manuscripts-in-thirteenthcentury-paris-new-evidence-for-standardised-procedures/42B2814F6E5C224976E871BCA2FEB8DDinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/http://creativecommons.org/licenses/by-nc-nd/4.0/oai:uvadoc.uva.es:10324/760662026-06-13T12:44:47Z
dc.title.none.fl_str_mv The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised procedures
title The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised procedures
spellingShingle The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised procedures
Bevilacqua, Gregorio
Early Music
Polyphonic Music
Production of Polyphonic Manuscripts
13th century
Magnus Liber Organi
title_short The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised procedures
title_full The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised procedures
title_fullStr The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised procedures
title_full_unstemmed The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised procedures
title_sort The production of polyphonic manuscripts in thirteenth-century Paris: new evidence for standardised procedures
dc.creator.none.fl_str_mv Bevilacqua, Gregorio
Catalunya, David
Torres Lobo, Nuria
author Bevilacqua, Gregorio
author_facet Bevilacqua, Gregorio
Catalunya, David
Torres Lobo, Nuria
author_role author
author2 Catalunya, David
Torres Lobo, Nuria
author2_role author
author
dc.subject.none.fl_str_mv Early Music
Polyphonic Music
Production of Polyphonic Manuscripts
13th century
Magnus Liber Organi
topic Early Music
Polyphonic Music
Production of Polyphonic Manuscripts
13th century
Magnus Liber Organi
description Producción Científica
publishDate 2018
dc.date.none.fl_str_mv 2018
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dc.identifier.none.fl_str_mv https://doi.org/10.1017/S0261127918000049
https://uvadoc.uva.es/handle/10324/76066
url https://doi.org/10.1017/S0261127918000049
https://uvadoc.uva.es/handle/10324/76066
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv https://www.cambridge.org/core/journals/early-music-history/article/production-of-polyphonic-manuscripts-in-thirteenthcentury-paris-new-evidence-for-standardised-procedures/42B2814F6E5C224976E871BCA2FEB8DD
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