Le moi minimaliste dans "Mes mauvaises pensées"
Abstract: Sometimes named by literary critic as a descendant of Marguerite Duras, the conception of her work seeks above all to represent the ambivalence of a fragmented intimate self, as well as the sexual and amorous between-two. In relation to his writing, in Mes mauvaises pensées Nina Bouraoui r...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universidad de Murcia |
| Repositorio: | DIGITUM. Depósito Digital Institucional de la Universidad de Murcia |
| OAI Identifier: | oai:digitum.um.es:10201/87670 |
| Acceso en línea: | https://doi.org/10.6018/analesff.374971 http://hdl.handle.net/10201/87670 |
| Access Level: | acceso abierto |
| Palabra clave: | Minimalist writing Fragment Double Psiconalisis Escritura minimalista Fragmento Doble Psicoanálisis CDU::8- Lingüística y literatura |
| Sumario: | Abstract: Sometimes named by literary critic as a descendant of Marguerite Duras, the conception of her work seeks above all to represent the ambivalence of a fragmented intimate self, as well as the sexual and amorous between-two. In relation to his writing, in Mes mauvaises pensées Nina Bouraoui reveals through a process of de construction/construction, a writing of the self that condenses processes that recall on certain occasions the nature of texts with component Minimalist. If the presence of the double is permanent in the narrative, the use of the minimalist writing will allow to formulate the presence of the autobiographical self, as well as its relationship to the world. |
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