Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez Galdós

This article deals with the evocation of Don Quixote in one of the Episodios Nacionales by Benito Pérez Galdós: the novel Bailén. This evocation is viewed as a result of literary transduction from the reading and interpretation of Cervantes’ Don Quixote achieved by the author and by the hero, who is...

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Detalhes bibliográficos
Autor: Albaladejo Mayordomo, Tomás
Formato: artículo
Fecha de publicación:2020
País:España
Recursos:Universidad Autónoma de Madrid
Repositorio:Biblos-e Archivo. Repositorio Institucional de la UAM
Idioma:español
OAI Identifier:oai:repositorio.uam.es:10486/704601
Acesso em linha:http://hdl.handle.net/10486/704601
https://dx.doi.org/10.4312/vh.28.1.15-34
Access Level:acceso abierto
Palavra-chave:Galdós
transducción
novela histórica
realidad
ficción
Literatura
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spelling Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez GaldósEvocation and literary construcion: Don Quixote in Benito Pérez Galdós’ BailénAlbaladejo Mayordomo, TomásGaldóstransducciónnovela históricarealidadficciónLiteraturaThis article deals with the evocation of Don Quixote in one of the Episodios Nacionales by Benito Pérez Galdós: the novel Bailén. This evocation is viewed as a result of literary transduction from the reading and interpretation of Cervantes’ Don Quixote achieved by the author and by the hero, who is a first-person narrator. The article also deals with the evocations of Napoleon Bonaparte by the hero Gabriel Araceli and by the afrancesado Luis de Santorcaz during their journey from Madrid to Andalusia after the uprising of the people of Madrid on the 2nd of May 1808 against the French army and the shootings of Spaniards by French firing squads on the 3rd of May 1808 and before the battle of Bailén. The evocation of Don Quixote has a counterpart in the evocations of Napoleon by the hero as a terrible image and by Santorcaz as an admirable man. Evocations are analysed from the point of view of perspectivism and explained as a dialectical polarisation that is projected onto the whole novel and contributes to its literary construction. The role of history and fiction in the novel is studied, as well as the function of literary and historical elements as part of the cultural-rhetorical communicative code that links the readers with the authorEste artículo es resultado de investigación llevada a cabo en el proyecto de investigación “Analogía, equivalencia, polivalencia y transferibilidad como fundamentos retórico-culturales e interdiscursivos del arte de lenguaje: literatura, retórica, discurso” (Referencia PGC2018-093852-B-I00), del Ministerio de Ciencia, Innovación y Universidades de EspañaUniversity of Ljubljana Press, SloveniaDepartamento de Lingüística General, Lógica y Filosofía de la Ciencia, Lenguas Modernas, Teoría de la Literatura y Literatura Comparada, Estudios de Asia OrientalFacultad de Filosofía y LetrasComunicación, Poética y Retórica (HUM F-016)UAM. Departamento de Lingüística, Lenguas Modernas, Lógica y Fª de la Ciencia y Tª de la Literatura y Literatura Comparada20202020-12-22research articlehttp://purl.org/coar/resource_type/c_2df8fbb1VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10486/704601https://dx.doi.org/10.4312/vh.28.1.15-34reponame:Biblos-e Archivo. Repositorio Institucional de la UAMinstname:Universidad Autónoma de MadridEspañolspaopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:repositorio.uam.es:10486/7046012026-06-23T12:46:27Z
dc.title.none.fl_str_mv Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez Galdós
Evocation and literary construcion: Don Quixote in Benito Pérez Galdós’ Bailén
title Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez Galdós
spellingShingle Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez Galdós
Albaladejo Mayordomo, Tomás
Galdós
transducción
novela histórica
realidad
ficción
Literatura
title_short Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez Galdós
title_full Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez Galdós
title_fullStr Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez Galdós
title_full_unstemmed Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez Galdós
title_sort Evocación y construcción literaria: don Quijote en Bailén de Benito Pérez Galdós
dc.creator.none.fl_str_mv Albaladejo Mayordomo, Tomás
author Albaladejo Mayordomo, Tomás
author_facet Albaladejo Mayordomo, Tomás
author_role author
dc.contributor.none.fl_str_mv Departamento de Lingüística General, Lógica y Filosofía de la Ciencia, Lenguas Modernas, Teoría de la Literatura y Literatura Comparada, Estudios de Asia Oriental
Facultad de Filosofía y Letras
Comunicación, Poética y Retórica (HUM F-016)
UAM. Departamento de Lingüística, Lenguas Modernas, Lógica y Fª de la Ciencia y Tª de la Literatura y Literatura Comparada
dc.subject.none.fl_str_mv Galdós
transducción
novela histórica
realidad
ficción
Literatura
topic Galdós
transducción
novela histórica
realidad
ficción
Literatura
description This article deals with the evocation of Don Quixote in one of the Episodios Nacionales by Benito Pérez Galdós: the novel Bailén. This evocation is viewed as a result of literary transduction from the reading and interpretation of Cervantes’ Don Quixote achieved by the author and by the hero, who is a first-person narrator. The article also deals with the evocations of Napoleon Bonaparte by the hero Gabriel Araceli and by the afrancesado Luis de Santorcaz during their journey from Madrid to Andalusia after the uprising of the people of Madrid on the 2nd of May 1808 against the French army and the shootings of Spaniards by French firing squads on the 3rd of May 1808 and before the battle of Bailén. The evocation of Don Quixote has a counterpart in the evocations of Napoleon by the hero as a terrible image and by Santorcaz as an admirable man. Evocations are analysed from the point of view of perspectivism and explained as a dialectical polarisation that is projected onto the whole novel and contributes to its literary construction. The role of history and fiction in the novel is studied, as well as the function of literary and historical elements as part of the cultural-rhetorical communicative code that links the readers with the author
publishDate 2020
dc.date.none.fl_str_mv 2020
2020-12-22
dc.type.none.fl_str_mv research article
http://purl.org/coar/resource_type/c_2df8fbb1
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv http://hdl.handle.net/10486/704601
https://dx.doi.org/10.4312/vh.28.1.15-34
url http://hdl.handle.net/10486/704601
https://dx.doi.org/10.4312/vh.28.1.15-34
dc.language.none.fl_str_mv Español
spa
language_invalid_str_mv Español
language spa
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv University of Ljubljana Press, Slovenia
publisher.none.fl_str_mv University of Ljubljana Press, Slovenia
dc.source.none.fl_str_mv reponame:Biblos-e Archivo. Repositorio Institucional de la UAM
instname:Universidad Autónoma de Madrid
instname_str Universidad Autónoma de Madrid
reponame_str Biblos-e Archivo. Repositorio Institucional de la UAM
collection Biblos-e Archivo. Repositorio Institucional de la UAM
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15.301603

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