Procesos pictóricos. La imagen de la Naturaleza
[EN] The path, transition, or evolutionary process is a relevant theme in the artistic practice; for this reason, we intend to expose the personal processes that we have carried out in the making of this pictorial construction. We will be looking at 4 different phases, which are included in a botani...
| Autor: | |
|---|---|
| Tipo de recurso: | tesis de maestría |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/132094 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/132094 |
| Access Level: | acceso abierto |
| Palabra clave: | procesos pintura Naturaleza trascendental materia orgánica processes painting Nature transcendental organic substance PINTURA Máster Universitario en Producción Artística-Màster Universitari en Producció Artística |
| Sumario: | [EN] The path, transition, or evolutionary process is a relevant theme in the artistic practice; for this reason, we intend to expose the personal processes that we have carried out in the making of this pictorial construction. We will be looking at 4 different phases, which are included in a botanical metaphor with the figure of a tree. From such architecture we show the connections between the parts, which are continuously related, in a movement that flows in the encircling, unending sense, with no culmination. We have acknowledged one¿s experience with Nature as the personal push for creation, trying to unravel the most intriguing and evocative aspects. In this sense, we immerse ourselves in the reflections on the most transcendental qualities, considering the forest as the metaphorical scenario of Zambrano. We rely on the use of plant material that we incorporate as a substance and a part which is present in these heterogeneous and multi-technique compositions. We will also analyze the methods, pictorial resources and substances in an effort to organise and concentrate the experimental practice in the workshop. |
|---|