Contrapunteos de Lydia Cabrera
[EN] Even today in the history of Cuban anthropology, little attention is paid to the writer and anthropologist Lydia Cabrera, who has only recently begun to be part of the list of intellectuals in official Cuban culture. However, because of her work and life trajectory, Cabrera can be considered th...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2020 |
| Country: | España |
| Institution: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repository: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/236282 |
| Online Access: | http://hdl.handle.net/10261/236282 |
| Access Level: | Open access |
| Keyword: | Cuba Folklore Afro-Cuban religions Gender Fernando Ortiz Religiones afrocubanas Género |
| Summary: | [EN] Even today in the history of Cuban anthropology, little attention is paid to the writer and anthropologist Lydia Cabrera, who has only recently begun to be part of the list of intellectuals in official Cuban culture. However, because of her work and life trajectory, Cabrera can be considered the modern founder of studies on Afro-Cuban religions. The main purpose of this text is to analyse Lydia Cabrera’s ethnographic work based on the idea that there was a ‘counterpoint’, a dialogue, a metaphorical game, between the liminal identity of the author herself – manifested in a racial, cultural, gender, social and political sense – and her interest and dedication to the contribution of slaves and the population of African origin to the history, culture and, ultimately, the identity of their Cuban homeland. |
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