Lord Georgie: Borges, Conrad y las reescrituras de lo universal
[EN]This article explores the material conditions that allow critics to inscribe a given text in transcultural networks of signification. Concretely, I study the case of Borges by focusing, on the one hand, on the historical processes that inform his articulations of the universal as an aesthetic co...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2012 |
| País: | España |
| Institución: | Universidad de Salamanca (USAL) |
| Repositorio: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/133544 |
| Acceso en línea: | http://hdl.handle.net/10366/133544 |
| Access Level: | acceso abierto |
| Palabra clave: | Borges Literatura Mundial Conrad Universal Particular Reescritura World Literature Rewriting |
| Sumario: | [EN]This article explores the material conditions that allow critics to inscribe a given text in transcultural networks of signification. Concretely, I study the case of Borges by focusing, on the one hand, on the historical processes that inform his articulations of the universal as an aesthetic construct. On the other, I rethink the idea of rewriting as a practice of aesthetic and cultural affiliation, each capable of creating new, contingent worlds. To illustrate this, I discuss Borges’ rewriting of Lord Jim and of Nostromo by Joseph Conrad. |
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