Pathological anatomy and self-portraiture

Why should an artist look to anatomical or pathological specimens as a reservoir of images with which to facilitate an articulation of his or her own artistic or personal identity? This is the starting point of a reflection on the disappearance of the artist and its transformation into a passive obj...

Descripción completa

Detalles Bibliográficos
Autores: Harcourt, Glenn, Temple-Cox, Lisa
Tipo de recurso: artículo
Fecha de publicación:2016
País:España
Institución:Universitat Autònoma de Barcelona
Repositorio:Dipòsit Digital de Documents de la UAB
Idioma:inglés
OAI Identifier:oai:ddd.uab.cat:148926
Acceso en línea:https://ddd.uab.cat/record/148926
Access Level:acceso abierto
Palabra clave:Anatomical specimen
Pathological anatomy
Art
Identity
Representation
Historical subjects
Historical objects
id ES_d3451beb21eacc400a1eb7100f84ff19
oai_identifier_str oai:ddd.uab.cat:148926
network_acronym_str ES
network_name_str España
repository_id_str
spelling Pathological anatomy and self-portraitureHarcourt, GlennTemple-Cox, LisaAnatomical specimenPathological anatomyArtIdentityRepresentationHistorical subjectsHistorical objectsWhy should an artist look to anatomical or pathological specimens as a reservoir of images with which to facilitate an articulation of his or her own artistic or personal identity? This is the starting point of a reflection on the disappearance of the artist and its transformation into a passive object. As a result, it is also a reflection into the blurring lines between subject and object. On the grounds of the work elaborated by the artist Lisa Temple-Cox and the critical look and comments made by the observer Harcourt, this paper is a first-hand attempt to understand the configuration of the self and the influence of the artistic intervention in the generation and representation of anatomical knowledge, resulting in an exploration into the intertwined processes that create both historical subjects and historical objects. 22016-01-0120162016-01-01Articlehttp://purl.org/coar/resource_type/c_6501VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleapplication/pdfhttps://ddd.uab.cat/record/148926reponame:Dipòsit Digital de Documents de la UABinstname:Universitat Autònoma de BarcelonaInglésengopen accesshttp://purl.org/coar/access_right/c_abf2Aquest document està subjecte a una llicència d'ús Creative Commons. Es permet la reproducció total o parcial, la distribució, i la comunicació pública de l'obra, sempre que no sigui amb finalitats comercials, i sempre que es reconegui l'autoria de l'obra original. No es permet la creació d'obres derivades.https://creativecommons.org/licenses/by-nc-nd/3.0/info:eu-repo/semantics/openAccessoai:ddd.uab.cat:1489262026-06-06T12:50:31Z
dc.title.none.fl_str_mv Pathological anatomy and self-portraiture
title Pathological anatomy and self-portraiture
spellingShingle Pathological anatomy and self-portraiture
Harcourt, Glenn
Anatomical specimen
Pathological anatomy
Art
Identity
Representation
Historical subjects
Historical objects
title_short Pathological anatomy and self-portraiture
title_full Pathological anatomy and self-portraiture
title_fullStr Pathological anatomy and self-portraiture
title_full_unstemmed Pathological anatomy and self-portraiture
title_sort Pathological anatomy and self-portraiture
dc.creator.none.fl_str_mv Harcourt, Glenn
Temple-Cox, Lisa
author Harcourt, Glenn
author_facet Harcourt, Glenn
Temple-Cox, Lisa
author_role author
author2 Temple-Cox, Lisa
author2_role author
dc.subject.none.fl_str_mv Anatomical specimen
Pathological anatomy
Art
Identity
Representation
Historical subjects
Historical objects
topic Anatomical specimen
Pathological anatomy
Art
Identity
Representation
Historical subjects
Historical objects
description Why should an artist look to anatomical or pathological specimens as a reservoir of images with which to facilitate an articulation of his or her own artistic or personal identity? This is the starting point of a reflection on the disappearance of the artist and its transformation into a passive object. As a result, it is also a reflection into the blurring lines between subject and object. On the grounds of the work elaborated by the artist Lisa Temple-Cox and the critical look and comments made by the observer Harcourt, this paper is a first-hand attempt to understand the configuration of the self and the influence of the artistic intervention in the generation and representation of anatomical knowledge, resulting in an exploration into the intertwined processes that create both historical subjects and historical objects.
publishDate 2016
dc.date.none.fl_str_mv 2
2016-01-01
2016
2016-01-01
dc.type.none.fl_str_mv Article
http://purl.org/coar/resource_type/c_6501
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://ddd.uab.cat/record/148926
url https://ddd.uab.cat/record/148926
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
https://creativecommons.org/licenses/by-nc-nd/3.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
https://creativecommons.org/licenses/by-nc-nd/3.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Dipòsit Digital de Documents de la UAB
instname:Universitat Autònoma de Barcelona
instname_str Universitat Autònoma de Barcelona
reponame_str Dipòsit Digital de Documents de la UAB
collection Dipòsit Digital de Documents de la UAB
repository.name.fl_str_mv
repository.mail.fl_str_mv
_version_ 1869420445715922944
score 15.300719

Similares en LA Referencia