Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49

This essay aims at exploring Pynchon's use of the thriller as a means to express his ideas on the writer and his fiction in The Crying of Lot 49. The thematic movement that the thriller presents is structured in the quest of the protagonist, and the role of the reader is as important as that of...

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Detalles Bibliográficos
Autor: Pérez Gil, Maria del Mar
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:1991
País:España
Institución:Universidad de La Laguna (ULL)
Repositorio:RIULL. Repositorio Institucional de la Universidad de La Laguna
OAI Identifier:oai:riull.ull.es:915/31120
Acceso en línea:http://riull.ull.es/xmlui/handle/915/31120
Access Level:acceso abierto
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spelling Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49Pérez Gil, Maria del MarThis essay aims at exploring Pynchon's use of the thriller as a means to express his ideas on the writer and his fiction in The Crying of Lot 49. The thematic movement that the thriller presents is structured in the quest of the protagonist, and the role of the reader is as important as that of the fictional creature, since he also participates actively in the quest. Both are mocked, however, in the roles they are expected to play. The pseudo-objectivity with which Pynchon charges History and the god-like mask the author can choose to wear when writing the novel serve Pynchon the purpose of questioning fixed structures in narrative —the thriller being one of them— and supporting the writer's stance as breaker of rules and ultimate link on which any fiction depends.202320231991info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://riull.ull.es/xmlui/handle/915/31120reponame:RIULL. Repositorio Institucional de la Universidad de La Lagunainstname:Universidad de La Laguna (ULL)EspañolRevista Canaria de Estudios Ingleses Año 1991, n. 22-23, pp. 217-223;Attribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:riull.ull.es:915/311202026-06-22T13:13:57Z
dc.title.none.fl_str_mv Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49
title Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49
spellingShingle Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49
Pérez Gil, Maria del Mar
title_short Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49
title_full Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49
title_fullStr Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49
title_full_unstemmed Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49
title_sort Thomas Pynchon: el "thriller" como experimento metafictivo en The Crying of Lot 49
dc.creator.none.fl_str_mv Pérez Gil, Maria del Mar
author Pérez Gil, Maria del Mar
author_facet Pérez Gil, Maria del Mar
author_role author
description This essay aims at exploring Pynchon's use of the thriller as a means to express his ideas on the writer and his fiction in The Crying of Lot 49. The thematic movement that the thriller presents is structured in the quest of the protagonist, and the role of the reader is as important as that of the fictional creature, since he also participates actively in the quest. Both are mocked, however, in the roles they are expected to play. The pseudo-objectivity with which Pynchon charges History and the god-like mask the author can choose to wear when writing the novel serve Pynchon the purpose of questioning fixed structures in narrative —the thriller being one of them— and supporting the writer's stance as breaker of rules and ultimate link on which any fiction depends.
publishDate 1991
dc.date.none.fl_str_mv 1991
2023
2023
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dc.identifier.none.fl_str_mv http://riull.ull.es/xmlui/handle/915/31120
url http://riull.ull.es/xmlui/handle/915/31120
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.relation.none.fl_str_mv Revista Canaria de Estudios Ingleses Año 1991, n. 22-23, pp. 217-223;
dc.rights.none.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 Internacional
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 Internacional
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.source.none.fl_str_mv reponame:RIULL. Repositorio Institucional de la Universidad de La Laguna
instname:Universidad de La Laguna (ULL)
instname_str Universidad de La Laguna (ULL)
reponame_str RIULL. Repositorio Institucional de la Universidad de La Laguna
collection RIULL. Repositorio Institucional de la Universidad de La Laguna
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