Apuntes sobre el origen de la línea
[EN] This paper explores the dynamic and tactile values that may be involved in the historical emergence of the line as a fundamental graphic resource. It attempts to look beyond the paradigm of visual-perceptual abstraction that is commonly associated with our concept of the line, suggesting that t...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2012 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/227345 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/227345 |
| Access Level: | acceso abierto |
| Palabra clave: | Line Tactile drawing Architectural drawing First architectures Línea Dibujo táctil Dibujo arquitectónico Primeras arquitecturas |
| Sumario: | [EN] This paper explores the dynamic and tactile values that may be involved in the historical emergence of the line as a fundamental graphic resource. It attempts to look beyond the paradigm of visual-perceptual abstraction that is commonly associated with our concept of the line, suggesting that those core values form part of a long, slow and open historical process in which a primary graphic exercise indissolubly linked to the materiality of objects gradually collected a series of geometric empirical findings and, generation after generation, compiled an imaginary store. Eventually, the first geometric treatises imposed a strict syllogistic structure on this collection of individual geometric models. In addition to this material, dynamic concept of the line, the author argues that the first architectural drawings were a translation of sequential orders, an experience closely akin to the profound nature of ritual |
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