Becoming An-Other. An Ecofeminist Critique of Contemporary Canadian Drama

This dissertation analyses six Canadian plays through an ecofeminist lens. The study, which focuses on stories written by francophone, anglophone, and Indigenous playwrights, attempts to discover: 1) In what ways do the plays show the intertwining of ecocide, colonialism, gender, and racial inequali...

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Detalles Bibliográficos
Autor: Voyer, Véronique
Tipo de recurso: tesis doctoral
Fecha de publicación:2022
País:España
Institución:Universidad de Santiago de Compostela (USC)
Repositorio:Minerva. Repositorio Institucional de la Universidad de Santiago de Compostela
Idioma:inglés
OAI Identifier:oai:minerva.usc.gal:10347/28769
Acceso en línea:http://hdl.handle.net/10347/28769
Access Level:acceso abierto
Palabra clave:Materias::Investigación::62 Ciencias de las artes y las letras::6202 Teoría, análisis y crítica literarias::620201 Crítica de textos
Materias::Investigación::62 Ciencias de las artes y las letras::6202 Teoría, análisis y crítica literarias::620202 Análisis literario
Materias::Investigación::62 Ciencias de las artes y las letras::6203 Teoría, análisis y crítica de las bellas artes::620310 Teatro
Descripción
Sumario:This dissertation analyses six Canadian plays through an ecofeminist lens. The study, which focuses on stories written by francophone, anglophone, and Indigenous playwrights, attempts to discover: 1) In what ways do the plays show the intertwining of ecocide, colonialism, gender, and racial inequalities in Canada? And 2) what new tropes and theatrical forms emerge from this political theatre? This research shows that the plays analysed create narrative structures and systems of representation (e.g., of gender, of human/nonhuman relationships) that stress the entangling of racial and gender inequalities in environmental destruction, highlighting the importance of animal studies and decolonial thinking, two aspects sometimes absent from mainstream ecofeminist critique.