Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse"
Stephenie Meyers’ Twilight tetralogy has lately become an enormously successful phenomenon in contemporary popular fiction, especially among a young adult readership. Regarded as a mixture of genres, the Twilight series can be described as a paradigm of contemporary popularculture gothic romance. St...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | España |
| Institución: | Universitat de Lleida (UdL) |
| Repositorio: | Repositori Obert UdL |
| OAI Identifier: | oai:repositori.udl.cat:10459.1/66838 |
| Acceso en línea: | https://doi.org/10.18172/jes.185 http://hdl.handle.net/10459.1/66838 |
| Access Level: | acceso abierto |
| Palabra clave: | Popular fiction Victorian novel Gothic romance intertextuality Ficcion popular Novela victoriana Romance gótico Intertextualidad |
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Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse"Miquel Baldellou, MartaPopular fictionVictorian novelGothic romanceintertextualityFiccion popularNovela victorianaRomance góticoIntertextualidadStephenie Meyers’ Twilight tetralogy has lately become an enormously successful phenomenon in contemporary popular fiction, especially among a young adult readership. Regarded as a mixture of genres, the Twilight series can be described as a paradigm of contemporary popularculture gothic romance. Stephenie Meyer has recently acknowledged she bore one literary classic in mind when writing each of the volumes in the series. In particular, her third book, Eclipse (2007), is loosely based on Emily Brontë’s Victorian classic Wuthering Heights (1847). This paper aims at providing a comparative analysis of both Brontë’s novel and Meyer’s adaptation, taking into consideration the way the protofeminist discourse that underlines Brontë’s text is not only subverted but also acquires significantly reactionary undertones in Meyer’s popular romance despite its contemporariness.Universidad de La Rioja2012info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://doi.org/10.18172/jes.185http://hdl.handle.net/10459.1/66838reponame:Repositori Obert UdL instname:Universitat de Lleida (UdL)InglésReproducció del document publicat a: https://doi.org/10.18172/jes.185Journal of English Studies, 2012, vol. 10, p. 147-173cc-by-nc-nd (c) Universidad de La Rioja, 2012info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/oai:repositori.udl.cat:10459.1/668382026-06-24T12:42:17Z |
| dc.title.none.fl_str_mv |
Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse" |
| title |
Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse" |
| spellingShingle |
Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse" Miquel Baldellou, Marta Popular fiction Victorian novel Gothic romance intertextuality Ficcion popular Novela victoriana Romance gótico Intertextualidad |
| title_short |
Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse" |
| title_full |
Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse" |
| title_fullStr |
Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse" |
| title_full_unstemmed |
Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse" |
| title_sort |
Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse" |
| dc.creator.none.fl_str_mv |
Miquel Baldellou, Marta |
| author |
Miquel Baldellou, Marta |
| author_facet |
Miquel Baldellou, Marta |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Popular fiction Victorian novel Gothic romance intertextuality Ficcion popular Novela victoriana Romance gótico Intertextualidad |
| topic |
Popular fiction Victorian novel Gothic romance intertextuality Ficcion popular Novela victoriana Romance gótico Intertextualidad |
| description |
Stephenie Meyers’ Twilight tetralogy has lately become an enormously successful phenomenon in contemporary popular fiction, especially among a young adult readership. Regarded as a mixture of genres, the Twilight series can be described as a paradigm of contemporary popularculture gothic romance. Stephenie Meyer has recently acknowledged she bore one literary classic in mind when writing each of the volumes in the series. In particular, her third book, Eclipse (2007), is loosely based on Emily Brontë’s Victorian classic Wuthering Heights (1847). This paper aims at providing a comparative analysis of both Brontë’s novel and Meyer’s adaptation, taking into consideration the way the protofeminist discourse that underlines Brontë’s text is not only subverted but also acquires significantly reactionary undertones in Meyer’s popular romance despite its contemporariness. |
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2012 |
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2012 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://doi.org/10.18172/jes.185 http://hdl.handle.net/10459.1/66838 |
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https://doi.org/10.18172/jes.185 http://hdl.handle.net/10459.1/66838 |
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Inglés |
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Inglés |
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Reproducció del document publicat a: https://doi.org/10.18172/jes.185 Journal of English Studies, 2012, vol. 10, p. 147-173 |
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cc-by-nc-nd (c) Universidad de La Rioja, 2012 info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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cc-by-nc-nd (c) Universidad de La Rioja, 2012 http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidad de La Rioja |
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Universidad de La Rioja |
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reponame:Repositori Obert UdL instname:Universitat de Lleida (UdL) |
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Universitat de Lleida (UdL) |
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