Sensitive experiences between object/subject by John Hejduk, a performance by Connie Beckley and a poem by David Shapiro
The research analyses a performance by Connie Beckley that took place in the Great Hall of the University of the Arts in Philadelphia in front of the piece Object/Subject. The event took place at the opening of the exhibition entitled «John Hejduk: The Riga Project», held between 20 November and 22...
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| Format: | article |
| Publication Date: | 2021 |
| Country: | España |
| Institution: | Consejo General de la Arquitectura Técnica de España (CGATE) |
| Repository: | RIARTE |
| OAI Identifier: | oai:www.riarte.es:20.500.12251/2651 |
| Online Access: | http://hdl.handle.net/20.500.12251/2651 https://www.scopus.com/inward/record.uri?eid=2-s2.0-85113140666&doi=10.30827%2fsobre.v7i.16494&partnerID=40&md5=abff0675d7fd4e0fdce61f97612eb58c |
| Access Level: | Open access |
| Keyword: | Poesía 6202.02 Análisis Literario 6202.01 Critica de Textos |
| Summary: | The research analyses a performance by Connie Beckley that took place in the Great Hall of the University of the Arts in Philadelphia in front of the piece Object/Subject. The event took place at the opening of the exhibition entitled «John Hejduk: The Riga Project», held between 20 November and 22 December 1987. The research analyses the performance, a poem by David Shapiro and the piece by John Hejduk. The research studies the relationship of the events by unravelling an analysis of the poem as a means of investigating the whole of artistic expression and the non-apparent links between objects, people and the strength of the written text when it is declaimed on a television screen. The research tries to study concrete questions that have occurred in an artistic experience. © 2021, Editorial Universidad de Granada. All rights reserved. |
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