Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series

Ryoji Suzuki’s projects are not the mediagenic monuments commonly circulating in the mainstream press as manifestations of Japanese architecture. However, media, especially photography, has been integral in the architectural production and dissemination of his “Experience in Material” projects. This...

Descripción completa

Detalles Bibliográficos
Autor: Seligmann, A. (Ari)|||/items/56de1be7-ae62-41d6-8e41-a55d91866803
Tipo de recurso: artículo
Fecha de publicación:2016
País:España
Institución:Universidad de Navarra
Repositorio:Dadun. Depósito Académico Digital de la Universidad de Navarra
Idioma:inglés
OAI Identifier:oai:dadun.unav.edu:10171/42349
Acceso en línea:https://hdl.handle.net/10171/42349
Access Level:acceso abierto
Palabra clave:Architectural production
Architectural photography
Ryoji Suzuki
Materias Investigacion::Arquitectura
id ES_cd2af8904f49158fc78b6d5da00578fa
oai_identifier_str oai:dadun.unav.edu:10171/42349
network_acronym_str ES
network_name_str España
repository_id_str
spelling Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” SeriesSeligmann, A. (Ari)|||/items/56de1be7-ae62-41d6-8e41-a55d91866803Architectural productionArchitectural photographyRyoji SuzukiMaterias Investigacion::ArquitecturaRyoji Suzuki’s projects are not the mediagenic monuments commonly circulating in the mainstream press as manifestations of Japanese architecture. However, media, especially photography, has been integral in the architectural production and dissemination of his “Experience in Material” projects. This paper examines the variable status and roles for photography within the construction and transmission of his architectural explorations. Suzuki’s complex engagement with photography provides a vehicle for considering tensions between architecture and photography. Examining Suzuki’s modes of production reveals productive alternatives that recognise photographs as more than communication tools and eschew consternations caused by creating distinctions between buildings as architectural objects and photographs as representations. For Suzuki buildings, photographs, models and drawings have equivalent status as media for exploring architectural ideas. Photographs are more than documentary devices, they provided a snapshot of ongoing design processes, were incorporated into Suzuki’s design iterations and served as generative tools. Suzuki’s work demonstrates photography facilitating a feedback loop of documenting, designing and disseminating architectural ideas. Analysing the dissemination of Suzuki’s work provides further snapshots of tensions, from debates over the status of photographs as professional promotion or artistic endeavour to the role of photographs as veritable documentation or critical interpretive frames. Suzuki’s projects appeared in commercial architectural publications, but did not always follow standardised formulas. For example, Suzuki avoided common architectural monograph conventions compiling a photo album/essay conceptualised as a further design iteration in Ryoji Suzuki Complete Works (2007), which invited prominent photographers to help (re)present the work. Suzuki welcomed multiple perspectives and fostered openness. Examination of the diverse press coverage of Suzuki’s Sagishima Ring Project (1995) further demonstrates multiple interpretations of architecture through photography. Ultimately, analyses help illuminate interactions, interpretations and intersections between architecture and photography, providing alternatives views and increasing understanding of the mediation of photography and architectural production.Servicio de Publicaciones Universidad de NavarraDadun. Depósito Académico Digital Universidad de Navarra20162016-11-2320162016-01-0120162016-01-01journal articlehttp://purl.org/coar/resource_type/c_6501info:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10171/42349reponame:Dadun. Depósito Académico Digital de la Universidad de Navarrainstname:Universidad de NavarraInglésengopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:dadun.unav.edu:10171/423492026-06-21T12:47:57Z
dc.title.none.fl_str_mv Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series
title Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series
spellingShingle Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series
Seligmann, A. (Ari)|||/items/56de1be7-ae62-41d6-8e41-a55d91866803
Architectural production
Architectural photography
Ryoji Suzuki
Materias Investigacion::Arquitectura
title_short Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series
title_full Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series
title_fullStr Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series
title_full_unstemmed Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series
title_sort Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series
dc.creator.none.fl_str_mv Seligmann, A. (Ari)|||/items/56de1be7-ae62-41d6-8e41-a55d91866803
author Seligmann, A. (Ari)|||/items/56de1be7-ae62-41d6-8e41-a55d91866803
author_facet Seligmann, A. (Ari)|||/items/56de1be7-ae62-41d6-8e41-a55d91866803
author_role author
dc.contributor.none.fl_str_mv Dadun. Depósito Académico Digital Universidad de Navarra
dc.subject.none.fl_str_mv Architectural production
Architectural photography
Ryoji Suzuki
Materias Investigacion::Arquitectura
topic Architectural production
Architectural photography
Ryoji Suzuki
Materias Investigacion::Arquitectura
description Ryoji Suzuki’s projects are not the mediagenic monuments commonly circulating in the mainstream press as manifestations of Japanese architecture. However, media, especially photography, has been integral in the architectural production and dissemination of his “Experience in Material” projects. This paper examines the variable status and roles for photography within the construction and transmission of his architectural explorations. Suzuki’s complex engagement with photography provides a vehicle for considering tensions between architecture and photography. Examining Suzuki’s modes of production reveals productive alternatives that recognise photographs as more than communication tools and eschew consternations caused by creating distinctions between buildings as architectural objects and photographs as representations. For Suzuki buildings, photographs, models and drawings have equivalent status as media for exploring architectural ideas. Photographs are more than documentary devices, they provided a snapshot of ongoing design processes, were incorporated into Suzuki’s design iterations and served as generative tools. Suzuki’s work demonstrates photography facilitating a feedback loop of documenting, designing and disseminating architectural ideas. Analysing the dissemination of Suzuki’s work provides further snapshots of tensions, from debates over the status of photographs as professional promotion or artistic endeavour to the role of photographs as veritable documentation or critical interpretive frames. Suzuki’s projects appeared in commercial architectural publications, but did not always follow standardised formulas. For example, Suzuki avoided common architectural monograph conventions compiling a photo album/essay conceptualised as a further design iteration in Ryoji Suzuki Complete Works (2007), which invited prominent photographers to help (re)present the work. Suzuki welcomed multiple perspectives and fostered openness. Examination of the diverse press coverage of Suzuki’s Sagishima Ring Project (1995) further demonstrates multiple interpretations of architecture through photography. Ultimately, analyses help illuminate interactions, interpretations and intersections between architecture and photography, providing alternatives views and increasing understanding of the mediation of photography and architectural production.
publishDate 2016
dc.date.none.fl_str_mv 2016
2016-11-23
2016
2016-01-01
2016
2016-01-01
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://hdl.handle.net/10171/42349
url https://hdl.handle.net/10171/42349
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Servicio de Publicaciones Universidad de Navarra
publisher.none.fl_str_mv Servicio de Publicaciones Universidad de Navarra
dc.source.none.fl_str_mv reponame:Dadun. Depósito Académico Digital de la Universidad de Navarra
instname:Universidad de Navarra
instname_str Universidad de Navarra
reponame_str Dadun. Depósito Académico Digital de la Universidad de Navarra
collection Dadun. Depósito Académico Digital de la Universidad de Navarra
repository.name.fl_str_mv
repository.mail.fl_str_mv
_version_ 1869419786156376064
score 15,301603

Similares en LA Referencia