The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin Color

[EN] Mimetic chromatic reintegration in easel paintings is usually achieved by levelling the surface of losses (lacunae) with a white filler, followed by its retouching with an appropriate paint. This investigation aimed to understand how different formulations of fillers (colored fillers and white...

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Detalles Bibliográficos
Autores: Xavier, Alexandre, Bailão, Ana, Manso, Marta
Tipo de recurso: capítulo de libro
Fecha de publicación:2023
País:España
Institución:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:inglés
OAI Identifier:oai:riunet.upv.es:10251/191598
Acceso en línea:https://riunet.upv.es/handle/10251/191598
Access Level:acceso abierto
Palabra clave:Fiber Optics Reflectance Spectroscopy (FORS)
Easel painting
Filling materials
Flesh color
Chromatic reintegration
Colorimetry
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spelling The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin ColorXavier, AlexandreBailão, AnaManso, MartaFiber Optics Reflectance Spectroscopy (FORS)Easel paintingFilling materialsFlesh colorChromatic reintegrationColorimetry[EN] Mimetic chromatic reintegration in easel paintings is usually achieved by levelling the surface of losses (lacunae) with a white filler, followed by its retouching with an appropriate paint. This investigation aimed to understand how different formulations of fillers (colored fillers and white fillers covered with three kinds of paints: watercolor, gouache, and mastic resin) influence mimetic reintegration. Colorimetry, using a smartphone with a color measurement application, and Fiber Optics Reflectance Spectroscopy (FORS) measurements were made on 29 samples of fillers and on the surface of the pictorial layer of our case study - a painting by Veloso Salgado.The combined use of these techniques allowed us to choose the most similar material filler system. The pigmented fillers gave us the best results to perform a safer and faster chromatic reintegration procedure. This procedure appears to be suitable for contemporary art as which usually do not present a protective layer. Also, the use of pigmented fillers simplifies the color achievement.Editorial Universitat Politècnica de ValènciaRepositorio Institucional de la Universitat Politècnica de València Riunet20232023-01-11book parthttp://purl.org/coar/resource_type/c_3248VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/bookPartapplication/pdfhttps://riunet.upv.es/handle/10251/191598reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valénciainstname:Universitat Politècnica de València (UPV)Inglésengopen accesshttp://purl.org/coar/access_right/c_abf2Reconocimiento - No comercial - Compartir igual (by-nc-sa) http://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessoai:riunet.upv.es:10251/1915982026-06-13T07:49:27Z
dc.title.none.fl_str_mv The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin Color
title The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin Color
spellingShingle The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin Color
Xavier, Alexandre
Fiber Optics Reflectance Spectroscopy (FORS)
Easel painting
Filling materials
Flesh color
Chromatic reintegration
Colorimetry
title_short The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin Color
title_full The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin Color
title_fullStr The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin Color
title_full_unstemmed The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin Color
title_sort The Influence of Fillers on the Chromatic Reintegration Process on Easel Paintings: Analytical Study for Skin Color
dc.creator.none.fl_str_mv Xavier, Alexandre
Bailão, Ana
Manso, Marta
author Xavier, Alexandre
author_facet Xavier, Alexandre
Bailão, Ana
Manso, Marta
author_role author
author2 Bailão, Ana
Manso, Marta
author2_role author
author
dc.contributor.none.fl_str_mv Repositorio Institucional de la Universitat Politècnica de València Riunet
dc.subject.none.fl_str_mv Fiber Optics Reflectance Spectroscopy (FORS)
Easel painting
Filling materials
Flesh color
Chromatic reintegration
Colorimetry
topic Fiber Optics Reflectance Spectroscopy (FORS)
Easel painting
Filling materials
Flesh color
Chromatic reintegration
Colorimetry
description [EN] Mimetic chromatic reintegration in easel paintings is usually achieved by levelling the surface of losses (lacunae) with a white filler, followed by its retouching with an appropriate paint. This investigation aimed to understand how different formulations of fillers (colored fillers and white fillers covered with three kinds of paints: watercolor, gouache, and mastic resin) influence mimetic reintegration. Colorimetry, using a smartphone with a color measurement application, and Fiber Optics Reflectance Spectroscopy (FORS) measurements were made on 29 samples of fillers and on the surface of the pictorial layer of our case study - a painting by Veloso Salgado.The combined use of these techniques allowed us to choose the most similar material filler system. The pigmented fillers gave us the best results to perform a safer and faster chromatic reintegration procedure. This procedure appears to be suitable for contemporary art as which usually do not present a protective layer. Also, the use of pigmented fillers simplifies the color achievement.
publishDate 2023
dc.date.none.fl_str_mv 2023
2023-01-11
dc.type.none.fl_str_mv book part
http://purl.org/coar/resource_type/c_3248
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/bookPart
format bookPart
dc.identifier.none.fl_str_mv https://riunet.upv.es/handle/10251/191598
url https://riunet.upv.es/handle/10251/191598
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - No comercial - Compartir igual (by-nc-sa)
http://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - No comercial - Compartir igual (by-nc-sa)
http://creativecommons.org/licenses/by-nc-sa/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editorial Universitat Politècnica de València
publisher.none.fl_str_mv Editorial Universitat Politècnica de València
dc.source.none.fl_str_mv reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
instname:Universitat Politècnica de València (UPV)
instname_str Universitat Politècnica de València (UPV)
reponame_str RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
collection RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
repository.name.fl_str_mv
repository.mail.fl_str_mv
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