Engineers can be creative if we teach them: a qualitative investigation about structural engineering professionals’ perspectives on creativity education
The inclusion of professional attitudes and competences in engineering education has been a widely advocated demand by several professional organizations. These competences encompass a range of skills, including critical thinking, communication, and creativity. Specifically, integrating creativity i...
| Autores: | , , |
|---|---|
| Formato: | artículo |
| Fecha de publicación: | 2025 |
| País: | España |
| Recursos: | Universitat Politècnica de Catalunya (UPC) |
| Repositorio: | UPCommons. Portal del coneixement obert de la UPC |
| Idioma: | inglés |
| OAI Identifier: | oai:upcommons.upc.edu:2117/430106 |
| Acesso em linha: | https://hdl.handle.net/2117/430106 https://dx.doi.org/10.1061/JCEECD.EIENG-2178 |
| Access Level: | acceso abierto |
| Palavra-chave: | Creativity Structures Engineering education Architecture Àrees temàtiques de la UPC::Ensenyament i aprenentatge::Habilitats personals i competències |
| Resumo: | The inclusion of professional attitudes and competences in engineering education has been a widely advocated demand by several professional organizations. These competences encompass a range of skills, including critical thinking, communication, and creativity. Specifically, integrating creativity into structural engineering education poses a significant challenge due to the lack of guidance for educators on how to foster it. The goal of this study was to address this gap by gathering information from structural professionals’ perspectives. For that, the research was designed as an iterative qualitative methodology that followed a hermeneutic phenomenological process. Data were collected through semistructured interviews with 27 professionals selected from the fields of creativity and structures. The interview transcripts were thematically coded and analyzed through six phases. The analysis of the transcriptions allowed us to define six themes of interest, which were given a description according to theoretical knowledge of creativity. Comparing experts’ opinions with the themes’ definition reveals a high correlation in the general domain of creativity but less agreement in the specific domain of structures. The findings provide some guidelines that should be followed to promote creativity in structures. By bridging theoretical literature of creativity with professional perspectives, the educational experience will be enriched while maintaining the necessary rigor of structural engineering. |
|---|