Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda / Parody over parody. C. A. Jordana rewritten by Mercè Rodoreda
This paper proposes a reinterpretation of plot parallelisms between 'El collar de la Núria' (1927), by C. A. Jordana, and 'Crim' (1936), by Mercè Rodoreda. The comparative analysis aims to show how 'Crim', in addition to working as a parody of the principles of the dete...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:2445/192101 |
| Acceso en línea: | https://hdl.handle.net/2445/192101 |
| Access Level: | acceso abierto |
| Palabra clave: | Novel·la policíaca Paròdia Literatura catalana Detective and mystery stories Parody Catalan literature |
| Sumario: | This paper proposes a reinterpretation of plot parallelisms between 'El collar de la Núria' (1927), by C. A. Jordana, and 'Crim' (1936), by Mercè Rodoreda. The comparative analysis aims to show how 'Crim', in addition to working as a parody of the principles of the detective story, can be read as a parody of an earlier parody of the same genre-that is, the text by Jordana. This rewriting exercise strengthens the hypertextual link between these two novels and results in what we may call, following the terminology by Gérard Genette, a hyperparody. |
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