Mujer moderna, poeta y artista: la voz lírica de Josefina de la Torre y su admiración poética por Salinas, Alberti y Lorca
This article aims to delve into the poetic production of Josefina de la Torre, a relevant pre-war poet who, like other women poets of this period and despite the recognition received in her time, was subsequently forgotten by literary critics, although fortunately she has been recovered in the last...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2023 |
| País: | España |
| Institución: | Universidad de Castilla-La Mancha |
| Repositorio: | RUIdeRA. Repositorio Institucional de la UCLM |
| OAI Identifier: | oai:ruidera.uclm.es:10578/46083 |
| Acceso en línea: | https://hdl.handle.net/10578/46083 http://hdl.handle.net/11222.digilib/digilib.78713 |
| Access Level: | acceso abierto |
| Palabra clave: | Generación del 27 Insularidad Josefina de la Torre Neopopularismo Vanguardia |
| Sumario: | This article aims to delve into the poetic production of Josefina de la Torre, a relevant pre-war poet who, like other women poets of this period and despite the recognition received in her time, was subsequently forgotten by literary critics, although fortunately she has been recovered in the last decades of the 20th century. After considering both the sociohistorical context of Spain in the first decades of the 20th century and the poet’s life trajectory, we will focus on the study of her first poetic stage, examining it based on the existing connection, both in form ad concept, with the poetic production of prominent 27’s members, such as Salinas, whom she always considered her master, Alberti or Lorca. This connection is the result of the poetic admiration that De la Torre always felt for these key figures of the Hispanic poetic vanguard. |
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