Crime Fiction: A Global Phenomenon

Crime fiction, if you choose to classify it in its broadest sense, has a very long history. Detectives can be found in ancient texts from around the world. One of the things these texts reveal is a common global desire for justice to be done, and to be seen to be done. Often serving as political and...

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Detalles Bibliográficos
Autor: Phillips, Bill
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2016
País:España
Institución:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
Repositorio:Recercat. Dipósit de la Recerca de Catalunya
OAI Identifier:oai:recercat.cat:2445/114659
Acceso en línea:https://hdl.handle.net/2445/114659
Access Level:acceso abierto
Palabra clave:Literatura
Novel·la policíaca
Literature
Detective and mystery stories
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spelling Crime Fiction: A Global PhenomenonPhillips, BillLiteraturaNovel·la policíacaLiteratureDetective and mystery storiesCrime fiction, if you choose to classify it in its broadest sense, has a very long history. Detectives can be found in ancient texts from around the world. One of the things these texts reveal is a common global desire for justice to be done, and to be seen to be done. Often serving as political and/or religious propaganda, they provide assurance that the authorities are protecting their people from wrongdoers and injustice. Edgar Allen Poe's short story 'The Murders in the Rue Morgue', published in 1841, is often held to be the first detective story, and Poe's cerebral hero, Auguste Dupin, provided the model for later literary sleuths such as Sherlock Holmes and Hercule Poirot, all three of whom collaborate on a regular basis with the police. Ironically, however, Poe's model represents a significant change in direction with regard to earlier crime/detective fiction. No longer concerned with justice, or a just society, Dupin, Holmes and Poirot are concerned solely with the solving of a puzzle to the satisfaction of their own egos. Rarely, if ever, are the social causes behind the crimes they investigate revealed. While it is true the stories are comforting in their conservatism, change is resolutely avoided. By the nineteen-seventies, detective writers began to deconstruct the traditional English golden age and American hard-boiled crime genre and were returning it to its former concerns. Around the world crime writers are now using the genre as a means to explore themes such as discrimination, corruption, inequality, poverty and injustice. The crime novel, and especially the postcolonial crime novel, is the social novel of our day.IAFOR2017201720162017info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion11 p.application/pdfhttps://hdl.handle.net/2445/114659Articles publicats en revistes (Llengües i Literatures Modernes i Estudis Anglesos)reponame:Recercat. Dipósit de la Recerca de Catalunyainstname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)InglésReproducció del document publicat a: https://doi.org/10.22492/ijl.5.1.01IAFOR. Journal of Literature & Librarianship, 2016, vol. 5, num. 1, p. 5-16https://doi.org/10.22492/ijl.5.1.01(c) IAFOR, 2016info:eu-repo/semantics/openAccessoai:recercat.cat:2445/1146592026-05-29T05:05:01Z
dc.title.none.fl_str_mv Crime Fiction: A Global Phenomenon
title Crime Fiction: A Global Phenomenon
spellingShingle Crime Fiction: A Global Phenomenon
Phillips, Bill
Literatura
Novel·la policíaca
Literature
Detective and mystery stories
title_short Crime Fiction: A Global Phenomenon
title_full Crime Fiction: A Global Phenomenon
title_fullStr Crime Fiction: A Global Phenomenon
title_full_unstemmed Crime Fiction: A Global Phenomenon
title_sort Crime Fiction: A Global Phenomenon
dc.creator.none.fl_str_mv Phillips, Bill
author Phillips, Bill
author_facet Phillips, Bill
author_role author
dc.subject.none.fl_str_mv Literatura
Novel·la policíaca
Literature
Detective and mystery stories
topic Literatura
Novel·la policíaca
Literature
Detective and mystery stories
description Crime fiction, if you choose to classify it in its broadest sense, has a very long history. Detectives can be found in ancient texts from around the world. One of the things these texts reveal is a common global desire for justice to be done, and to be seen to be done. Often serving as political and/or religious propaganda, they provide assurance that the authorities are protecting their people from wrongdoers and injustice. Edgar Allen Poe's short story 'The Murders in the Rue Morgue', published in 1841, is often held to be the first detective story, and Poe's cerebral hero, Auguste Dupin, provided the model for later literary sleuths such as Sherlock Holmes and Hercule Poirot, all three of whom collaborate on a regular basis with the police. Ironically, however, Poe's model represents a significant change in direction with regard to earlier crime/detective fiction. No longer concerned with justice, or a just society, Dupin, Holmes and Poirot are concerned solely with the solving of a puzzle to the satisfaction of their own egos. Rarely, if ever, are the social causes behind the crimes they investigate revealed. While it is true the stories are comforting in their conservatism, change is resolutely avoided. By the nineteen-seventies, detective writers began to deconstruct the traditional English golden age and American hard-boiled crime genre and were returning it to its former concerns. Around the world crime writers are now using the genre as a means to explore themes such as discrimination, corruption, inequality, poverty and injustice. The crime novel, and especially the postcolonial crime novel, is the social novel of our day.
publishDate 2016
dc.date.none.fl_str_mv 2016
2017
2017
2017
dc.type.none.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.none.fl_str_mv https://hdl.handle.net/2445/114659
url https://hdl.handle.net/2445/114659
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Reproducció del document publicat a: https://doi.org/10.22492/ijl.5.1.01
IAFOR. Journal of Literature & Librarianship, 2016, vol. 5, num. 1, p. 5-16
https://doi.org/10.22492/ijl.5.1.01
dc.rights.none.fl_str_mv (c) IAFOR, 2016
info:eu-repo/semantics/openAccess
rights_invalid_str_mv (c) IAFOR, 2016
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 11 p.
application/pdf
dc.publisher.none.fl_str_mv IAFOR
publisher.none.fl_str_mv IAFOR
dc.source.none.fl_str_mv Articles publicats en revistes (Llengües i Literatures Modernes i Estudis Anglesos)
reponame:Recercat. Dipósit de la Recerca de Catalunya
instname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
instname_str Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
reponame_str Recercat. Dipósit de la Recerca de Catalunya
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