Repositioning Spanish Conceptualisms: New Institutionalism, Coloniality and the Contemporary
Since December 2011, the Museo Nacional Centro de Arte Reina Sofía in Madrid’s third and last part of its collection, ‘From Revolt to Postmodernity (1962–1982)’, has been available for public viewing. The display, curated by Jesús Carrillo, Rosario Peiró and the museum’s director Manuel Borja-Villel...
| Autor: | |
|---|---|
| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universidad Autónoma de Madrid |
| Repositorio: | Biblos-e Archivo. Repositorio Institucional de la UAM |
| Idioma: | inglés |
| OAI Identifier: | oai:repositorio.uam.es:10486/713620 |
| Acceso en línea: | http://hdl.handle.net/10486/713620 |
| Access Level: | acceso abierto |
| Palabra clave: | Museo Reina Sofía conceptualism contemporary Historia del Arte |
| Sumario: | Since December 2011, the Museo Nacional Centro de Arte Reina Sofía in Madrid’s third and last part of its collection, ‘From Revolt to Postmodernity (1962–1982)’, has been available for public viewing. The display, curated by Jesús Carrillo, Rosario Peiró and the museum’s director Manuel Borja-Villel, showcases additions to the collection that were meant to build a continuity between a modern art collection structured around Picasso’s Guernica (1937) with the contemporary |
|---|