LOS ORÍGENES ADOLESCENTES DEL SELFIE CONTEMPORÁNEO Y SU REPRESENTACIÓN EN EL ARTE
[EN] We have live in a turn of the century in which the rules of the game have changed as far as photography and photographic production is concerned, due in part to the democratization of existing electronic devices, digital photo capture and development of the Internet as space exhibition or publi...
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| Formato: | capítulo de livro |
| Fecha de publicación: | 2015 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/97946 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/97946 |
| Access Level: | acceso abierto |
| Palavra-chave: | Adolescentes Autorretrato Fotografía digital Redes solciales Selfie |
| Resumo: | [EN] We have live in a turn of the century in which the rules of the game have changed as far as photography and photographic production is concerned, due in part to the democratization of existing electronic devices, digital photo capture and development of the Internet as space exhibition or publication. Likewise, the proliferation of new and different forms of self-portrait in the cyber-virtual environment, raises a new formal, conceptual and definitional paradigm linked to the history of the image or art theory. The selfie, which we define here as self portrait photographed with a digital device for the later (or snapshot) publication on the Internet, is by no means an isolated or genre specific and arbitrary. Hundreds of thousands of photographs produced and published daily around the world following these assumptions and rules that novel means and tools, in part, dictate: Photographs subject to canons of composition, aesthetic and formal conclude in a unapproachable imagery of faces and bodies self-represented. Currently, this type of images have become a cultural object, promoting own evolutionary transformation of the photographic medium (and even serving, with its strong iconicity, as a framework for various performances in another outside areas: art, audiovisual entertainment or advertising). However, its genesis was not so popular, but the result of an experimental and intimate creation linked to adolescents authors who, locked in their bathrooms, were photographed with a compact camera in hand through her reflection in the mirror. |
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