La atadura entre imagentexto y autoficción. Mecanismos de lo irrepresentable en los libros Conjunto vacío, de Verónica Gerber y Óptica sanguínea, de Daniela Bojórquez
This work analyzes the dialectical relationships between image and text as well as between reality, fiction and self-fiction in the works Conjunto Vacío(2015) by Verónica Gerber Bicceci and Óptica sanguínea (2015) by Daniela Bojórquez Vértiz. In both books, published almost at the same time in Mexic...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universidad Complutense de Madrid (UCM) |
| Repositorio: | Docta Complutense |
| Idioma: | español |
| OAI Identifier: | oai:docta.ucm.es:20.500.14352/132345 |
| Acceso en línea: | https://hdl.handle.net/20.500.14352/132345 |
| Access Level: | acceso abierto |
| Palabra clave: | 77 Verónica Gerber Daniela Bojórquez Imagetext Self-fiction Real Diseño gráfico (Ciencias de la Información) Fotografía Estética (Filosofía) 6203.08 Fotografía 7202.01 Estética |
| Sumario: | This work analyzes the dialectical relationships between image and text as well as between reality, fiction and self-fiction in the works Conjunto Vacío(2015) by Verónica Gerber Bicceci and Óptica sanguínea (2015) by Daniela Bojórquez Vértiz. In both books, published almost at the same time in Mexico as imagetexts, the ties and looseness of their own intermediality, which moves between representable and unrepresentable, and coding and registration is able to question the representation itself, and refer to a privilege of the equivocal versus the unambiguous. |
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