Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"

The secular sonnets of the poet and courtier Henry Constable (1562–1613) circulated in several manuscripts in his own lifetime and were also printed in 1592 and 1594 under the title Diana . A significant number of these sonnets present textual variations in the sources preserved, as a result of the...

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Autor: Pérez Jáuregui, María Jesús
Tipo de recurso: artículo
Estado:Versión aceptada para publicación
Fecha de publicación:2012
País:España
Institución:Universidad de Sevilla (US)
Repositorio:idUS. Depósito de Investigación de la Universidad de Sevilla
OAI Identifier:oai:idus.us.es:11441/153684
Acceso en línea:https://hdl.handle.net/11441/153684
https://doi.org/10.1080/0013838X.2012.721238
Access Level:acceso abierto
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spelling Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"Pérez Jáuregui, María JesúsThe secular sonnets of the poet and courtier Henry Constable (1562–1613) circulated in several manuscripts in his own lifetime and were also printed in 1592 and 1594 under the title Diana . A significant number of these sonnets present textual variations in the sources preserved, as a result of the process of transmission and revision. The variants found in the extant copies of the sonnet “Falslie doth enuie of youre praises blame” are particularly remarkable. As it appears in the Marsh MS (1588), the poem, a love complaint, introduces the image of the burning of a heretic and is laden with anti-Catholic allusions. These disappear in the subsequent versions found in the Harington MS (1589), the Todd MS (early seventeenth century) and the two printed editions, which present a toned-down, more conventional text. This article analyses the process of revision of the sonnet in view of Sir John Harington's religious ambiguity and Constable's conversion to Catholicism.Taylor & FrancisFilología Inglesa (Literatura Inglesa y Norteamericana)HUM322: Estudios Medievales y Renacentistas Ingleses2012info:eu-repo/semantics/articleinfo:eu-repo/semantics/acceptedVersionapplication/pdfapplication/pdfhttps://hdl.handle.net/11441/153684https://doi.org/10.1080/0013838X.2012.721238reponame:idUS. Depósito de Investigación de la Universidad de Sevillainstname:Universidad de Sevilla (US)InglésPérez Jáuregui, M.J. (2012) Burning the Heretic: Conscientious Revision in Henry Constable's “Falslie Doth Enuie of Youre Praises Blame”, English Studies, 93:8, 897-910, DOI: 10.1080/0013838X.2012.72123810.1080/0013838X.2012.721238info:eu-repo/semantics/openAccessoai:idus.us.es:11441/1536842026-06-17T12:51:07Z
dc.title.none.fl_str_mv Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"
title Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"
spellingShingle Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"
Pérez Jáuregui, María Jesús
title_short Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"
title_full Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"
title_fullStr Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"
title_full_unstemmed Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"
title_sort Burning the heretic: conscientious revision in Henry Constable's "Falslie Doth Enuie of Youre Praises Blame"
dc.creator.none.fl_str_mv Pérez Jáuregui, María Jesús
author Pérez Jáuregui, María Jesús
author_facet Pérez Jáuregui, María Jesús
author_role author
dc.contributor.none.fl_str_mv Filología Inglesa (Literatura Inglesa y Norteamericana)
HUM322: Estudios Medievales y Renacentistas Ingleses
description The secular sonnets of the poet and courtier Henry Constable (1562–1613) circulated in several manuscripts in his own lifetime and were also printed in 1592 and 1594 under the title Diana . A significant number of these sonnets present textual variations in the sources preserved, as a result of the process of transmission and revision. The variants found in the extant copies of the sonnet “Falslie doth enuie of youre praises blame” are particularly remarkable. As it appears in the Marsh MS (1588), the poem, a love complaint, introduces the image of the burning of a heretic and is laden with anti-Catholic allusions. These disappear in the subsequent versions found in the Harington MS (1589), the Todd MS (early seventeenth century) and the two printed editions, which present a toned-down, more conventional text. This article analyses the process of revision of the sonnet in view of Sir John Harington's religious ambiguity and Constable's conversion to Catholicism.
publishDate 2012
dc.date.none.fl_str_mv 2012
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/acceptedVersion
format article
status_str acceptedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/11441/153684
https://doi.org/10.1080/0013838X.2012.721238
url https://hdl.handle.net/11441/153684
https://doi.org/10.1080/0013838X.2012.721238
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Pérez Jáuregui, M.J. (2012) Burning the Heretic: Conscientious Revision in Henry Constable's “Falslie Doth Enuie of Youre Praises Blame”, English Studies, 93:8, 897-910, DOI: 10.1080/0013838X.2012.721238
10.1080/0013838X.2012.721238
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Taylor & Francis
publisher.none.fl_str_mv Taylor & Francis
dc.source.none.fl_str_mv reponame:idUS. Depósito de Investigación de la Universidad de Sevilla
instname:Universidad de Sevilla (US)
instname_str Universidad de Sevilla (US)
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