De la pintura al cine, del cine a la pintura: historias de una imantación
[EN] History of representation is parceled into provinces that study image under its deposition on different means of expression. However, audiovisual heterogeneity of our time, show how easily images pass from one medium to another. It is necessary to build another visual history that claims the mi...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/70462 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/70462 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema Painting Post-cinema Postpainting Expanded cinema Cine Pintura Postcine Postpintura cinema expandido |
| Sumario: | [EN] History of representation is parceled into provinces that study image under its deposition on different means of expression. However, audiovisual heterogeneity of our time, show how easily images pass from one medium to another. It is necessary to build another visual history that claims the mixture instead of the essence, a history that tracks the circulation of images. In that his story certainly should occupy a special place the relationship that have maintained cinema and painting for over a century |
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