The Mosaics of the Domus I of the Plaza de Armas of the Royal Alcazar in Roman colonia Augusta Firma - Astigi (Écija, Seville, Spain) - I
The Domus I of the Plaza de Armas of the Royal Alcazar of Ecija (Seville, Spain) has been object of archaeological excavations and restoration interventions since 2001, which have revealed that this luxurious urban residence was completely reformed in the Severan period, when several rooms and the c...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universidad de Sevilla (US) |
| Repositorio: | idUS. Depósito de Investigación de la Universidad de Sevilla |
| OAI Identifier: | oai:idus.us.es:11441/140383 |
| Acceso en línea: | https://hdl.handle.net/11441/140383 https://doi.org/10.26658/jmr.1143737 |
| Access Level: | acceso abierto |
| Palabra clave: | Roman mosaic Astigi Dionysian thematic Geometric pattern Peristyle |
| Sumario: | The Domus I of the Plaza de Armas of the Royal Alcazar of Ecija (Seville, Spain) has been object of archaeological excavations and restoration interventions since 2001, which have revealed that this luxurious urban residence was completely reformed in the Severan period, when several rooms and the central courtyard were decorated with mosaic pavements. The first one in being unearthed was the well-known mosaic of the Satyr / Silenus, with the double representation of these two companions of Dionysus in a single head, thanks to a singular visual play. In 2015 was discovered the so-called mosaic of the Loves of Zeus, which decorate the triclinium of the domus, with several scenes from this mythological cycle, along with Bacchic themes and characters, and the representation of the seasons. More recently, in 2019-2020, the monumental central peristyle of the residence was excavated, which perimetral corridor was covered with mosaic decoration. The thematic represented in the new mosaic is varied, including several planets, meteorological phenomena or the god Dyonisus himself, together with a panel which contained a scene following a hunt –unfortunately, in this case largely lost, but still recognizable–, all framed by a singular geometric pattern. In this paper is offered the first publication of the remarkable mosaic of the peristyle, just discovered. |
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