The sounds on the Silk Road from Xi'an to Urumqi. Soundscape, recording and exposition of the sound
[eng] The main objective of the doctoral thesis is to study the Soundscape in the Chinese route of the Silk Road based on the premises issued in 2003 by the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO. In China, no application of this agreement has been used. The re...
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| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universidad de Barcelona |
| Repositorio: | Dipòsit Digital de la UB |
| OAI Identifier: | oai:diposit.ub.edu:2445/179175 |
| Acceso en línea: | https://hdl.handle.net/2445/179175 http://hdl.handle.net/10803/672184 |
| Access Level: | acceso abierto |
| Palabra clave: | Art contemporani Patrimoni cultural Escultura sonora Multimedia (Art) Contemporary art Cultural heritage Art multimèdia Silk Road |
| Sumario: | [eng] The main objective of the doctoral thesis is to study the Soundscape in the Chinese route of the Silk Road based on the premises issued in 2003 by the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO. In China, no application of this agreement has been used. The research proposed by the doctoral thesis is an important precedent in applying the guidelines concerning the study and preservation of intangible cultural heritage. The Silk Road represents the exchange and integration of Chinese and Western cultures, and its mysterious and remote atmosphere is fascinating. I have longed for the Silk Road since I was young. I was exposed to sound media art, soundscape maps, and sound sculpture research in the laboratory of Dr. Josep Cerda at the University of Barcelona. Finally, it presented the idea of applying sound media art to data analysis of the sound on the Silk Road and archival records. The General Conference of the United Nations Educational, Scientific and Cultural Organization. UNESCO, at its 32nd meeting, held in Paris from September 29 to October 17, 2003. Approved the Convention for the Safeguarding of the Cultural Heritage Intangible, the intergovernmental agreement that Recognizes that communities, groups, and individuals play an important role in the production, safeguarding, maintenance, and recreation of intangible cultural heritage, thereby contributing to enriching cultural diversity and human creativity. It considers the importance of the Soundscape as an exponent of cultural diversity. The General objective of this doctoral dissertation is to apply the intangible cultural heritage protection formulated by UNESCO to "Using sound media art to record and protect the sound landscape of typical areas on the Silk Road." Through a literature review of Western sound research and the current sound landscape research status in China, China is currently conducting sound landscape research and research on a certain designated area. Quantitative analysis exists, but there is no study on "The sounds on the Silk Road from Xi'an to Urumqi." The Silk Road is a vast area and has many research limitations in terms of geography. This research uses ethnographic research as the main research methodology, and finally determines the research site in China from Xi'an to Urumqi in Six specific regions. In Chinese history, the Silk Road started from Xi'an, Shaanxi Province, and ended in Xinjiang Province, the last region connecting China with Eurasia. I passed through the Longmen Grottoes in Luoyang, Henan Province, the surround-ing areas of Mogao Grottoes in Gansu Province, and the surrounding regions of Qin- ghai Lake in Xining City Qinghai Province. As the gathering area of ethnic minorities in the southwest of China's Silk Road, Yunnan Province also includes this doctoral thesis research. Try to find the voices on the Silk Road that are most worthy of investigation and preservation, and conduct field investigations and quantitative analysis. The purpose of the research is to use a sound media library, soundscape map, and sound art museum display to reflect the ecological landscape environment of the Silk Road, the urban human environment, and the status quo of historical relics. Based on this, establish a sound landscape database. To form a digital map of the Soundscape, making it an important carrier for the protection and inheritance of the sound landscape on the Silk Road, as a basis for academic and theoretical research on protecting intangible cultural heritage on the Silk Road. The second objective of the research is to establish a sound media art laboratory and a sound documentation center in Shanghai Donghua University and Shanghai Arts & Design Academy, to supplement the current lack of sound media art as a research direction in design education in China. The third research goal is to apply future sound media art combined with big data artificial intelligence to serve society. Apply intelligent sound design as an essential means of exhibition and display and demonstrate in Chinese museums. In terms of research conclusions and social influence, this doctoral thesis puts forward for the first time "the application of sound media art to protect and inherit the soundscape of the Silk Road". First of all, a set of core methodology and research techniques in the research of this doctoral dissertation applied to the academic study of soundscape protection on the Silk Road. Due to the limitations of the research funding and time of the doctoral thesis, only investigate six important areas. I will not terminate this research because of the end of this paper. Researchers will continue to study some other sub-important regions of the Silk Road in China. This doctoral thesis will lay a theoretical foundation for China and the world to study the "Silk Road" soundscape research. Introduce the establishment method of sound media library into the design art education of Chinese colleges and universities. To make up for the lack of research in Chinese universities that specifically focus on sound art design instead of music theory research under art design research. The third is to create a sound media library and make an interactive multimedia map to be applied to the soundscape guide of the future cultural journey. Use digital media technology and sound media art principles to design a virtual interactive sound museum. Establish a complete set of sound expressions, protect and Inheriting the Soundscape of the Silk Road while driving the richness of cultural tourism in the southwest and northwest regions of China. The audience can understand the history and culture of the Silk Road through acoustic sensory experience in multiple dimensions. |
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