Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British Stage

This chapter focuses on two performable English retranslations of the Spanish classic Fuente Ovejuna (which premiered on British stages in 1936): Allan Sillitoe and Ruth Fainlight’s All Citizens Are Soldiers (1967), and April De Angelis’s The Village (2018). It analyses the reception of Lope de Vega...

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Detalles Bibliográficos
Autor: Braga Riera, Jorge
Tipo de recurso: capítulo de libro
Fecha de publicación:2022
País:España
Institución:Universidad Complutense de Madrid (UCM)
Repositorio:Docta Complutense
Idioma:inglés
OAI Identifier:oai:docta.ucm.es:20.500.14352/116443
Acceso en línea:https://hdl.handle.net/20.500.14352/116443
Access Level:acceso abierto
Palabra clave:Literatura española e hispanoamericana
6202 Teoría, Análisis y Crítica Literarias
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spelling Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British StageBraga Riera, JorgeLiteratura española e hispanoamericana6202 Teoría, Análisis y Crítica LiterariasThis chapter focuses on two performable English retranslations of the Spanish classic Fuente Ovejuna (which premiered on British stages in 1936): Allan Sillitoe and Ruth Fainlight’s All Citizens Are Soldiers (1967), and April De Angelis’s The Village (2018). It analyses the reception of Lope de Vega’s Golden Age classic at two temporally distant socio-political periods, and examines how one of its key themes, the revolt by the masses against subjugation, is portrayed in each case. A textual and paratextual examination of these English retranslations shows substantial alterations provoked by the source play’s relocation across spatial and temporal boundaries. The conclusions reveal the extent to which these two productions can be regarded as relevant at a particular time in the British theatrical culture, drawing particular attention to the need to re-evaluate the concept of ‘retranslation’ in dramatic literature.BrillCadera, Susanne MWalsh, Andrew SamuelUniversidad Complutense de Madrid20222022-01-0120222022-01-01book parthttp://purl.org/coar/resource_type/c_3248AMhttp://purl.org/coar/version/c_ab4af688f83e57aainfo:eu-repo/semantics/bookPartapplication/pdfhttps://hdl.handle.net/20.500.14352/116443reponame:Docta Complutenseinstname:Universidad Complutense de Madrid (UCM)Inglésengopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:docta.ucm.es:20.500.14352/1164432026-06-02T12:44:21Z
dc.title.none.fl_str_mv Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British Stage
title Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British Stage
spellingShingle Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British Stage
Braga Riera, Jorge
Literatura española e hispanoamericana
6202 Teoría, Análisis y Crítica Literarias
title_short Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British Stage
title_full Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British Stage
title_fullStr Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British Stage
title_full_unstemmed Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British Stage
title_sort Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s "Fuente Ovejuna" for the British Stage
dc.creator.none.fl_str_mv Braga Riera, Jorge
author Braga Riera, Jorge
author_facet Braga Riera, Jorge
author_role author
dc.contributor.none.fl_str_mv Cadera, Susanne M
Walsh, Andrew Samuel
Universidad Complutense de Madrid
dc.subject.none.fl_str_mv Literatura española e hispanoamericana
6202 Teoría, Análisis y Crítica Literarias
topic Literatura española e hispanoamericana
6202 Teoría, Análisis y Crítica Literarias
description This chapter focuses on two performable English retranslations of the Spanish classic Fuente Ovejuna (which premiered on British stages in 1936): Allan Sillitoe and Ruth Fainlight’s All Citizens Are Soldiers (1967), and April De Angelis’s The Village (2018). It analyses the reception of Lope de Vega’s Golden Age classic at two temporally distant socio-political periods, and examines how one of its key themes, the revolt by the masses against subjugation, is portrayed in each case. A textual and paratextual examination of these English retranslations shows substantial alterations provoked by the source play’s relocation across spatial and temporal boundaries. The conclusions reveal the extent to which these two productions can be regarded as relevant at a particular time in the British theatrical culture, drawing particular attention to the need to re-evaluate the concept of ‘retranslation’ in dramatic literature.
publishDate 2022
dc.date.none.fl_str_mv 2022
2022-01-01
2022
2022-01-01
dc.type.none.fl_str_mv book part
http://purl.org/coar/resource_type/c_3248
AM
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dc.type.openaire.fl_str_mv info:eu-repo/semantics/bookPart
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dc.identifier.none.fl_str_mv https://hdl.handle.net/20.500.14352/116443
url https://hdl.handle.net/20.500.14352/116443
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Brill
publisher.none.fl_str_mv Brill
dc.source.none.fl_str_mv reponame:Docta Complutense
instname:Universidad Complutense de Madrid (UCM)
instname_str Universidad Complutense de Madrid (UCM)
reponame_str Docta Complutense
collection Docta Complutense
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