Dirk Laurent está muerto: la cinta de möbius como estructura narrativa novedosa del cine de la posmodernidad = Dirk Laurent is dead: the möbius strips as an innovative narrative structure in post-modernity cinema
One of the unwonted characteristics of these last three decades of cinema is its use of time loops, with works organised as if they were Moebius strips, visualizations of the maximum eccentricity applied to the conception of the temporal in the postmodernism. These films by Lynch, by Weerasethakul,...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/15071 |
| Acceso en línea: | http://hdl.handle.net/10256/15071 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinematografia Motion pictures Postmodernitat Postmodernism |
| Sumario: | One of the unwonted characteristics of these last three decades of cinema is its use of time loops, with works organised as if they were Moebius strips, visualizations of the maximum eccentricity applied to the conception of the temporal in the postmodernism. These films by Lynch, by Weerasethakul, by Marker or by Gilliam are an entrance to the hall of concave and convex mirrors, where a “good morning” means a final addio, where the exit door facilitates access to the bottomless abyss, obtained from multiple reflections of the faced mirrors |
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