The representation of the portable museum. A competition for an iconic container

[EN] The idea of a transportable architecture has been present throughout history. Different architects have experimented with this concept, managing to materialize it in typologies such as the pavilion at international exhibitions. Along the same lines, the museum, as a typology that seeks to get c...

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Autor: Falcón Meraz, José Manuel
Tipo de recurso: artículo
Fecha de publicación:2020
País:España
Institución:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
inglés
OAI Identifier:oai:riunet.upv.es:10251/159418
Acceso en línea:https://riunet.upv.es/handle/10251/159418
Access Level:acceso abierto
Palabra clave:Arquitectura efímera
Arquitectura transportable
Guggenheim
Museos
Ephemeral architecture
Museums
Transportable architecture
Visual communication
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spelling The representation of the portable museum. A competition for an iconic containerLa representación del museo portátil. Un concurso para un contenedor icónicoFalcón Meraz, José ManuelArquitectura efímeraArquitectura transportableGuggenheimMuseosEphemeral architectureMuseumsTransportable architectureVisual communication[EN] The idea of a transportable architecture has been present throughout history. Different architects have experimented with this concept, managing to materialize it in typologies such as the pavilion at international exhibitions. Along the same lines, the museum, as a typology that seeks to get closer to the masses, has found a useful variant in the portable building. If temporary exhibitions acquire their value in their constant contact with the public, the idea of bringing the exhibition together with the architecture becomes relevant. Thus, this paper analyses the paradigmatic experience of the Guggenheim Foundation, a leading museum institution in the competition for a temporary museum in Tokyo. Through the analysis of the proposals of Ban, Nouvel, and Hadid, it will be observed how architects use the full force of their representational styles whilst facing a typological innovation, aiming to appeal and to communicate the original architectural content that will be the main object of the exhibition.[ES] La idea de una arquitectura transportable ha estado presente a lo largo de la historia. Diferentes arquitectos han experimentado con este concepto, logrando materializarlo en tipologías como el pabellón en exposiciones internacionales. En esta misma línea, el museo, como tipología que busca acercarse a las masas, ha encontrado en lo portátil una variante útil. Si las exposiciones rotativas adquieren su valía en su contacto constante con el público, la idea de llevar la exhibición junto con la arquitectura se vuelve pertinente. Así, en este trabajo se analiza la experiencia paradigmática de la Fundación Guggenheim, institución museística puntera, en el concurso para un museo temporal en Tokio. Mediante el análisis de las propuestas de Ban, Nouvel y Hadid, se observará, cómo los arquitectos, ante una innovación tipológica y buscar convencer, utilizan toda la fuerza de sus estilos representacionales, para comunicar contenidos arquitectónicos originales que, serán el objeto principal de la muestra.Universitat Politècnica de ValènciaRepositorio Institucional de la Universitat Politècnica de València Riunet20202020-11-17journal articlehttp://purl.org/coar/resource_type/c_6501VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleapplication/pdfhttps://riunet.upv.es/handle/10251/159418reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valénciainstname:Universitat Politècnica de València (UPV)EspañolspaInglésengopen accesshttp://purl.org/coar/access_right/c_abf2Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:riunet.upv.es:10251/1594182026-06-13T07:49:27Z
dc.title.none.fl_str_mv The representation of the portable museum. A competition for an iconic container
La representación del museo portátil. Un concurso para un contenedor icónico
title The representation of the portable museum. A competition for an iconic container
spellingShingle The representation of the portable museum. A competition for an iconic container
Falcón Meraz, José Manuel
Arquitectura efímera
Arquitectura transportable
Guggenheim
Museos
Ephemeral architecture
Museums
Transportable architecture
Visual communication
title_short The representation of the portable museum. A competition for an iconic container
title_full The representation of the portable museum. A competition for an iconic container
title_fullStr The representation of the portable museum. A competition for an iconic container
title_full_unstemmed The representation of the portable museum. A competition for an iconic container
title_sort The representation of the portable museum. A competition for an iconic container
dc.creator.none.fl_str_mv Falcón Meraz, José Manuel
author Falcón Meraz, José Manuel
author_facet Falcón Meraz, José Manuel
author_role author
dc.contributor.none.fl_str_mv Repositorio Institucional de la Universitat Politècnica de València Riunet
dc.subject.none.fl_str_mv Arquitectura efímera
Arquitectura transportable
Guggenheim
Museos
Ephemeral architecture
Museums
Transportable architecture
Visual communication
topic Arquitectura efímera
Arquitectura transportable
Guggenheim
Museos
Ephemeral architecture
Museums
Transportable architecture
Visual communication
description [EN] The idea of a transportable architecture has been present throughout history. Different architects have experimented with this concept, managing to materialize it in typologies such as the pavilion at international exhibitions. Along the same lines, the museum, as a typology that seeks to get closer to the masses, has found a useful variant in the portable building. If temporary exhibitions acquire their value in their constant contact with the public, the idea of bringing the exhibition together with the architecture becomes relevant. Thus, this paper analyses the paradigmatic experience of the Guggenheim Foundation, a leading museum institution in the competition for a temporary museum in Tokyo. Through the analysis of the proposals of Ban, Nouvel, and Hadid, it will be observed how architects use the full force of their representational styles whilst facing a typological innovation, aiming to appeal and to communicate the original architectural content that will be the main object of the exhibition.
publishDate 2020
dc.date.none.fl_str_mv 2020
2020-11-17
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://riunet.upv.es/handle/10251/159418
url https://riunet.upv.es/handle/10251/159418
dc.language.none.fl_str_mv Español
spa
Inglés
eng
language_invalid_str_mv Español
Inglés
language spa
eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universitat Politècnica de València
publisher.none.fl_str_mv Universitat Politècnica de València
dc.source.none.fl_str_mv reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
instname:Universitat Politècnica de València (UPV)
instname_str Universitat Politècnica de València (UPV)
reponame_str RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
collection RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
repository.name.fl_str_mv
repository.mail.fl_str_mv
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