The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary Identities

The study of contemporary Irish theatre allows to identify the presence of Greek myths as a major influence; the rewriting process involves putting on stage conflicts and themes that are still of concern for the society and the playwrights, unmasking classical myths and demystifying contemporary ide...

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Detalles Bibliográficos
Autor: González Chacón, María del Mar
Tipo de recurso: artículo
Fecha de publicación:2024
País:España
Institución:Universidad de Oviedo (UNIOVI)
Repositorio:RUO. Repositorio Institucional de la Universidad de Oviedo
Idioma:inglés
OAI Identifier:oai:digibuo.uniovi.es:10651/82596
Acceso en línea:https://hdl.handle.net/10651/82596
https://dx.doi.org/10.48611/isbn.978-2-406-16970-3.p.0097
Access Level:acceso abierto
Palabra clave:Greek Myth
Marina Carr
Enda Walsh
Shane Mac an Bhaird
Dylan Coburn Gray
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spelling The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary IdentitiesGonzález Chacón, María del MarGreek MythMarina CarrEnda WalshShane Mac an BhairdDylan Coburn GrayThe study of contemporary Irish theatre allows to identify the presence of Greek myths as a major influence; the rewriting process involves putting on stage conflicts and themes that are still of concern for the society and the playwrights, unmasking classical myths and demystifying contemporary identities, as well as creating new spaces for transformation. This can be addressed through the comparative analysis of plays written by Marina Carr, Enda Walsh, Shane Mac an Bhaird or Dylan Coburn Gray.Classiques Garnier20242024-01-01journal articlehttp://purl.org/coar/resource_type/c_6501VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articlehttps://hdl.handle.net/10651/82596https://dx.doi.org/10.48611/isbn.978-2-406-16970-3.p.0097reponame:RUO. Repositorio Institucional de la Universidad de Oviedoinstname:Universidad de Oviedo (UNIOVI)Inglésengopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:digibuo.uniovi.es:10651/825962026-06-07T06:38:51Z
dc.title.none.fl_str_mv The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary Identities
title The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary Identities
spellingShingle The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary Identities
González Chacón, María del Mar
Greek Myth
Marina Carr
Enda Walsh
Shane Mac an Bhaird
Dylan Coburn Gray
title_short The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary Identities
title_full The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary Identities
title_fullStr The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary Identities
title_full_unstemmed The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary Identities
title_sort The Concept of Myth in Irish Theatre. Unmasking the Classical Myths to Demystify Contemporary Identities
dc.creator.none.fl_str_mv González Chacón, María del Mar
author González Chacón, María del Mar
author_facet González Chacón, María del Mar
author_role author
dc.subject.none.fl_str_mv Greek Myth
Marina Carr
Enda Walsh
Shane Mac an Bhaird
Dylan Coburn Gray
topic Greek Myth
Marina Carr
Enda Walsh
Shane Mac an Bhaird
Dylan Coburn Gray
description The study of contemporary Irish theatre allows to identify the presence of Greek myths as a major influence; the rewriting process involves putting on stage conflicts and themes that are still of concern for the society and the playwrights, unmasking classical myths and demystifying contemporary identities, as well as creating new spaces for transformation. This can be addressed through the comparative analysis of plays written by Marina Carr, Enda Walsh, Shane Mac an Bhaird or Dylan Coburn Gray.
publishDate 2024
dc.date.none.fl_str_mv 2024
2024-01-01
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://hdl.handle.net/10651/82596
https://dx.doi.org/10.48611/isbn.978-2-406-16970-3.p.0097
url https://hdl.handle.net/10651/82596
https://dx.doi.org/10.48611/isbn.978-2-406-16970-3.p.0097
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Classiques Garnier
publisher.none.fl_str_mv Classiques Garnier
dc.source.none.fl_str_mv reponame:RUO. Repositorio Institucional de la Universidad de Oviedo
instname:Universidad de Oviedo (UNIOVI)
instname_str Universidad de Oviedo (UNIOVI)
reponame_str RUO. Repositorio Institucional de la Universidad de Oviedo
collection RUO. Repositorio Institucional de la Universidad de Oviedo
repository.name.fl_str_mv
repository.mail.fl_str_mv
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