Arte y publicidad: del arte pop a la crítica institucional
[EN] The article analyzes how the appearance of new forms of art since the 60's, claiming the break with the formalism and the autonomy of last-modern art, enabled the opening of an alternative dialectical relationship with the imaginary of the culture industry, and more specifically with the a...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2008 |
| Country: | España |
| Institution: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repository: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/379445 |
| Online Access: | http://hdl.handle.net/10261/379445 |
| Access Level: | Open access |
| Keyword: | Formalism Pop Art Conceptual Art Politics Advertising Urban interventions Feminism Institutional criticism Formalismo Arte pop Arte conceptual Política Publicidad Intervenciones urbanas Género Crítica institucional Pop art |
| Summary: | [EN] The article analyzes how the appearance of new forms of art since the 60's, claiming the break with the formalism and the autonomy of last-modern art, enabled the opening of an alternative dialectical relationship with the imaginary of the culture industry, and more specifically with the advertising. The study part of the description of some productions which are usually attached to pop and conceptual art, emphasizing his critical involvement in non-institutional contexts as in called «peripheral». In the second part, the text focus on subsequent practices that combine urban intervention and institutional criticism with the interest in identity or feminist issues. |
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