La crisis del sueño europeo: hogar y éxodo en el nuevo cine sobre migrantes y refugiados (2005-2018)
In recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In t...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universidad Rey Juan Carlos |
| Repositorio: | BURJC-Digital. Repositorio Institucional de la Universidad Rey Juan Carlos |
| OAI Identifier: | oai:burjcdigital.urjc.es:10115/27392 |
| Acceso en línea: | https://hdl.handle.net/10115/27392 |
| Access Level: | acceso abierto |
| Palabra clave: | sueño europeo cine independiente cine europeo narrativas del encuentro narrativas de la crisis. |
| Sumario: | In recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In this article we propose the crisis of the values of the European dream as a useful key for the study of the works of European filmmakers, or residents in Europe, who between 2005 and 2018 have made a reflection on the social values in the old continent. Among these values, this cinema has approached ideas such as integration, reception and interdependence as signs of a prosperity, on the other hand currently discussed in the common continental household. |
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