"In the Heart of America", de Naomi Wallace: retrato de un cuerpo femenino como un texto ideológico
This paper shows how a female body, considered a representative of its nation’s ideology, is often the main target of political violence and violations. Naomi Wallace’s In the Heart of America uses the sexual frustrations of all its women characters to reflect the violent physical and mental pressur...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | España |
| Institución: | Universidad de Sevilla (US) |
| Repositorio: | idUS. Depósito de Investigación de la Universidad de Sevilla |
| OAI Identifier: | oai:idus.us.es:11441/18376 |
| Acceso en línea: | http://institucional.us.es/revistas/estudios/16/art_3.pdf http://hdl.handle.net/11441/18376 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura anglosajona Literatura norteamericana Teatro Cuerpo femenino Sexualidad Metáfora Ideología |
| Sumario: | This paper shows how a female body, considered a representative of its nation’s ideology, is often the main target of political violence and violations. Naomi Wallace’s In the Heart of America uses the sexual frustrations of all its women characters to reflect the violent physical and mental pressures of imperial war and its consequent times. Their physical defects signal the hostile times they live in, which are usually reflected on the female body as carrier and displayer of the ideologies and social constructions of the era, turning women’s bodies into representatives of their nation’s sociopolitical ideology. They have their regions’ ideology inscribed on their bodies as physical wounds, making these bodies battlefields on which colonizers and soldiers demonstrate their political muscle. Wallace demonstrates how the female body, through its sexual orientation, its color, its exposure, and its movements and gestures, can tell the whole story of violence and create a drama of great effect |
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