Les cançons occitanes obtingudes per Palmira Jaquetti i Maria Carbó a la Vall d'Aran. Assaig de regularització formal i aspectes lingüístics

This article focuses on the Occitan songs collected by Palmira Jaquetti and Maria Carbó in the Aran Valley during the year 1925, and is based on the materials that were published for the first time by Oriol (2020). Since the transcription system used by the collectors does not correspond to the curr...

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Detalhes bibliográficos
Autor: Carrera Baiget, Aitor
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2023
País:España
Recursos:Universitat de Lleida (UdL)
Repositorio:Repositori Obert UdL
OAI Identifier:oai:repositori.udl.cat:10459.1/464841
Acesso em linha:https://doi.org/10.17345/elop20233222
https://hdl.handle.net/10459.1/464841
Access Level:acceso abierto
Palavra-chave:Occità
Gascó
Aranès
Literatura oral
Dialectologia
Descrição
Resumo:This article focuses on the Occitan songs collected by Palmira Jaquetti and Maria Carbó in the Aran Valley during the year 1925, and is based on the materials that were published for the first time by Oriol (2020). Since the transcription system used by the collectors does not correspond to the current Occitan spelling, the first objective is to provide a more updated version of these materials. At the same time, however, this article also wants to interpret these same songs in the clearest possible way and, therefore, to try to establish what Jaquetti and Carbó heard orally in the Vall d'Aran even though some compositions may present variations in relation to other versions in circulation and that some elements may seem dubious or offer more than one interpretation. We shall also discuss the most noteworthy language features, especially in terms of the possible geo graphical origin of certain pieces that seem to come from other Occitan latitudes or that have features that do not reflect the linguistic characteristics of the villages where they were collected. All of this should reveal to us more details not only about the routes that all those songs may have followed in the strictly Aranese context but also in a broader framework that covers large areas of the Occitan linguistic domain.