"Madrugada", de Antonio Buero Vallejo o las tinieblas de la aurora: Del escenario a la pantalla
[EN] The article proposes a tour around Madrugada from a comparative and recep tional methodology. The play is one of the more unknown plays of Buero Vallejo in his fer tile theatrical path, which, nevertheless, attrack the interest of the screen for its adaptation. Across new documents and critical...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2007 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/240491 |
| Acceso en línea: | http://hdl.handle.net/10261/240491 |
| Access Level: | acceso abierto |
| Palabra clave: | Theater Cinema Buero Vallejo Madrugada Teatro Cine Théátre |
| Sumario: | [EN] The article proposes a tour around Madrugada from a comparative and recep tional methodology. The play is one of the more unknown plays of Buero Vallejo in his fer tile theatrical path, which, nevertheless, attrack the interest of the screen for its adaptation. Across new documents and critical perspectives, there is reconstructed an operation of rere ading that, beyond the judgments of valué sealed off in investigating the different degrees of loyalty of the texts to the original, allows to enter new perspectives of the creative process or the pragmatic conditions of his representation, to repair diverse ways of appropriation and the displacements that have taken place as consequence of it. |
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