Partituras Gráficas Circulares: Entre Tiempo y Espacio

Located between artistic categories, graphic scores use elements of visual language to represent musical sounds. Since the origin of graphical notation in the middle of the twentieth century, circular graphic scores play an important role in composers' creations. Despite this fact, there is a l...

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Detalles Bibliográficos
Autor: Buj Corral, Marina
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2014
País:España
Institución:Universidad de Barcelona
Repositorio:Dipòsit Digital de la UB
OAI Identifier:oai:diposit.ub.edu:2445/158591
Acceso en línea:https://hdl.handle.net/2445/158591
Access Level:acceso abierto
Palabra clave:Musicologia
Art contemporani
Partitures
Musicology
Contemporary art
Scores
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spelling Partituras Gráficas Circulares: Entre Tiempo y EspacioBuj Corral, MarinaMusicologiaArt contemporaniPartituresMusicologyContemporary artScoresLocated between artistic categories, graphic scores use elements of visual language to represent musical sounds. Since the origin of graphical notation in the middle of the twentieth century, circular graphic scores play an important role in composers' creations. Despite this fact, there is a lack of specific studies on the subject. This article aims to provide some clues and conceptual elements for understanding 'how the circle sounds'. Through a comparative study between the circular shape and its musical performance in some of the most relevant circular works of last decades, it has been found that frequently circular notation corresponds to musical structures of cyclic and repetitive nature. Moreover, circular scores allow incorporating elements of openness in interpretation, such as the duration of the work, the choice of reading direction or starting point. Circular scores advantage the analysis of the musical structure of the piece and provide flexibility to interpretation. In addition, they show that spatiality is a condition of music, as well as temporality. AbstractHipatia Press2014info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://hdl.handle.net/2445/158591Articles publicats en revistes (Didàctiques Aplicades)reponame:Dipòsit Digital de la UBinstname:Universidad de BarcelonaEspañolReproducció del document publicat a: https://doi.org/10.4471/brac.2014.14BRAC-Barcelona, Research, Art, Creation, 2014, vol. 2, num. 3, p. 277-300https://doi.org/10.4471/brac.2014.14cc-by (c) Buj Corral, Marina, 2014http://creativecommons.org/licenses/by/3.0/esinfo:eu-repo/semantics/openAccessoai:diposit.ub.edu:2445/1585912026-05-27T06:46:51Z
dc.title.none.fl_str_mv Partituras Gráficas Circulares: Entre Tiempo y Espacio
title Partituras Gráficas Circulares: Entre Tiempo y Espacio
spellingShingle Partituras Gráficas Circulares: Entre Tiempo y Espacio
Buj Corral, Marina
Musicologia
Art contemporani
Partitures
Musicology
Contemporary art
Scores
title_short Partituras Gráficas Circulares: Entre Tiempo y Espacio
title_full Partituras Gráficas Circulares: Entre Tiempo y Espacio
title_fullStr Partituras Gráficas Circulares: Entre Tiempo y Espacio
title_full_unstemmed Partituras Gráficas Circulares: Entre Tiempo y Espacio
title_sort Partituras Gráficas Circulares: Entre Tiempo y Espacio
dc.creator.none.fl_str_mv Buj Corral, Marina
author Buj Corral, Marina
author_facet Buj Corral, Marina
author_role author
dc.subject.none.fl_str_mv Musicologia
Art contemporani
Partitures
Musicology
Contemporary art
Scores
topic Musicologia
Art contemporani
Partitures
Musicology
Contemporary art
Scores
description Located between artistic categories, graphic scores use elements of visual language to represent musical sounds. Since the origin of graphical notation in the middle of the twentieth century, circular graphic scores play an important role in composers' creations. Despite this fact, there is a lack of specific studies on the subject. This article aims to provide some clues and conceptual elements for understanding 'how the circle sounds'. Through a comparative study between the circular shape and its musical performance in some of the most relevant circular works of last decades, it has been found that frequently circular notation corresponds to musical structures of cyclic and repetitive nature. Moreover, circular scores allow incorporating elements of openness in interpretation, such as the duration of the work, the choice of reading direction or starting point. Circular scores advantage the analysis of the musical structure of the piece and provide flexibility to interpretation. In addition, they show that spatiality is a condition of music, as well as temporality. Abstract
publishDate 2014
dc.date.none.fl_str_mv 2014
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/2445/158591
url https://hdl.handle.net/2445/158591
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.relation.none.fl_str_mv Reproducció del document publicat a: https://doi.org/10.4471/brac.2014.14
BRAC-Barcelona, Research, Art, Creation, 2014, vol. 2, num. 3, p. 277-300
https://doi.org/10.4471/brac.2014.14
dc.rights.none.fl_str_mv cc-by (c) Buj Corral, Marina, 2014
http://creativecommons.org/licenses/by/3.0/es
info:eu-repo/semantics/openAccess
rights_invalid_str_mv cc-by (c) Buj Corral, Marina, 2014
http://creativecommons.org/licenses/by/3.0/es
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Hipatia Press
publisher.none.fl_str_mv Hipatia Press
dc.source.none.fl_str_mv Articles publicats en revistes (Didàctiques Aplicades)
reponame:Dipòsit Digital de la UB
instname:Universidad de Barcelona
instname_str Universidad de Barcelona
reponame_str Dipòsit Digital de la UB
collection Dipòsit Digital de la UB
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,300719

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