Cultura textovisual, hibridación y dialogismo en la obra de Albert Soloviev
Defying the traditional philological channels, the short short story broadens in the digital world beyond writing; it brings together the iconicity of mass media and assembles literary materials with those coming from other systems of non-linguistic meaning. Significant plurality expands the aesthet...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universidad Autónoma de Madrid |
| Repositorio: | Biblos-e Archivo. Repositorio Institucional de la UAM |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uam.es:10486/689720 |
| Acceso en línea: | http://hdl.handle.net/10486/689720 https://dx.doi.org/10.15366/actionova2019.3.022 |
| Access Level: | acceso abierto |
| Palabra clave: | Cultura textovisual Microrrelato hipermedial Albert Soloviev Ilustración Hibridación Literatura |
| Sumario: | Defying the traditional philological channels, the short short story broadens in the digital world beyond writing; it brings together the iconicity of mass media and assembles literary materials with those coming from other systems of non-linguistic meaning. Significant plurality expands the aesthetic resonance of cultural imaginary and emphasizes dialogism, intertextuality, intermediality, hybridity and ambiguity; the reader is confronted with a polyartistic and multisensory experience, where words, by engaging with others artistic forms, acquire a new narrative and aesthetic dimension |
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