The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018)
In this article, we argue that the TV series event with the highest audience in recent Catalan history, La catedral del mar /Cathedral of the Sea (Jordi Frades, 2018), is an example of commercial cinematic populism. Cathedral of the Sea is built on formal elements of the classic Hollywood style (for...
| Autores: | , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión aceptada para publicación |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10230/53379 |
| Acceso en línea: | http://hdl.handle.net/10230/53379 http://doi.org/10.3828/catr.35.4 |
| Access Level: | acceso abierto |
| Palabra clave: | Sèries televisives |
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The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018)Ungureanu, CamilPintor Iranzo, IvanSèries televisivesIn this article, we argue that the TV series event with the highest audience in recent Catalan history, La catedral del mar /Cathedral of the Sea (Jordi Frades, 2018), is an example of commercial cinematic populism. Cathedral of the Sea is built on formal elements of the classic Hollywood style (for example, continuous editing, linear narrative, lack of moral ambiguity), and a series of substantive dichotomies (people/ elite, the popular hero/ the villain, the good/ the bad) and myths (the savior, the unity of the people). In analyzing their significance, we distinguish three hermeneutic layers, the populist, the general-mythical, and the Catalan historical context, which, in combination, constitute the cinematic narrative. Therein the central hero of Cathedral of the Sea, Arnau Estanyol, personifies the myth of the commoner who, by accumulating a whole range of virtues and social roles, synecdochically stands for the triumphant emergence of the modern Catalan people. This narrative is, we maintain, traversed by a tension between the populist call for emancipation, incarnated by Arnau, and the phantasmal self-gratification based on the depiction of a world devoid of complexity.Liverpool University Press202220222021info:eu-repo/semantics/articleinfo:eu-repo/semantics/acceptedVersionapplication/pdfapplication/pdfhttp://hdl.handle.net/10230/53379http://doi.org/10.3828/catr.35.4reponame:Recercat. Dipósit de la Recerca de Catalunyainstname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)InglésCatalan review. 2021;35(1):69-88.© Liverpool University Pressinfo:eu-repo/semantics/openAccessoai:recercat.cat:10230/533792026-05-29T05:05:01Z |
| dc.title.none.fl_str_mv |
The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018) |
| title |
The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018) |
| spellingShingle |
The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018) Ungureanu, Camil Sèries televisives |
| title_short |
The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018) |
| title_full |
The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018) |
| title_fullStr |
The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018) |
| title_full_unstemmed |
The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018) |
| title_sort |
The battle for re-imagining Catalonia: cinematic populism, myth-making, and Cathedral of the Sea (Jordi Frades, 2018) |
| dc.creator.none.fl_str_mv |
Ungureanu, Camil Pintor Iranzo, Ivan |
| author |
Ungureanu, Camil |
| author_facet |
Ungureanu, Camil Pintor Iranzo, Ivan |
| author_role |
author |
| author2 |
Pintor Iranzo, Ivan |
| author2_role |
author |
| dc.subject.none.fl_str_mv |
Sèries televisives |
| topic |
Sèries televisives |
| description |
In this article, we argue that the TV series event with the highest audience in recent Catalan history, La catedral del mar /Cathedral of the Sea (Jordi Frades, 2018), is an example of commercial cinematic populism. Cathedral of the Sea is built on formal elements of the classic Hollywood style (for example, continuous editing, linear narrative, lack of moral ambiguity), and a series of substantive dichotomies (people/ elite, the popular hero/ the villain, the good/ the bad) and myths (the savior, the unity of the people). In analyzing their significance, we distinguish three hermeneutic layers, the populist, the general-mythical, and the Catalan historical context, which, in combination, constitute the cinematic narrative. Therein the central hero of Cathedral of the Sea, Arnau Estanyol, personifies the myth of the commoner who, by accumulating a whole range of virtues and social roles, synecdochically stands for the triumphant emergence of the modern Catalan people. This narrative is, we maintain, traversed by a tension between the populist call for emancipation, incarnated by Arnau, and the phantasmal self-gratification based on the depiction of a world devoid of complexity. |
| publishDate |
2021 |
| dc.date.none.fl_str_mv |
2021 2022 2022 |
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info:eu-repo/semantics/article info:eu-repo/semantics/acceptedVersion |
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article |
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acceptedVersion |
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http://hdl.handle.net/10230/53379 http://doi.org/10.3828/catr.35.4 |
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http://hdl.handle.net/10230/53379 http://doi.org/10.3828/catr.35.4 |
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Inglés |
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Inglés |
| dc.relation.none.fl_str_mv |
Catalan review. 2021;35(1):69-88. |
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© Liverpool University Press info:eu-repo/semantics/openAccess |
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© Liverpool University Press |
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openAccess |
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application/pdf application/pdf |
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Liverpool University Press |
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Liverpool University Press |
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reponame:Recercat. Dipósit de la Recerca de Catalunya instname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
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Recercat. Dipósit de la Recerca de Catalunya |
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