Precarious subjectivities are not for sale: the loss of the measurability of labour for performing arts workers
Contemporary work increasingly presents itself as an immeasurable endeavour. The social and subjective spaces in which it is practiced are no longer easily circumscribed, and the conceptual categories that traditionally described its relationship with value now appear practically unusable. In partic...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión enviada para evaluación y publicación |
| Fecha de publicación: | 2014 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/342122 |
| Acceso en línea: | http://hdl.handle.net/10261/342122 |
| Access Level: | acceso abierto |
| Palabra clave: | Cultural industries Performing arts Precariat Precariousness Measurability of labour Independent/freelance workers Labour-value Subjectification Work |
| Sumario: | Contemporary work increasingly presents itself as an immeasurable endeavour. The social and subjective spaces in which it is practiced are no longer easily circumscribed, and the conceptual categories that traditionally described its relationship with value now appear practically unusable. In particular, workers in the ‘creative industries’ are paradigmatic subjects of the ‘work fragmentation’ process of the post-Fordist era. Cutting across divisions between life and work, employment and unemployment, the performing arts are in many ways a laboratory of job flexibility, where innovative contractual arrangements and professional trajectories have been developed. |
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